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Good Dog, Bad Man…

Sometimes the images create the words… sometimes the words create the images.

“This one made my heart hurt a little.” –Dawn Jackson

One of Those–Hot Texas–Nights [Creative Nonfiction]

We’ve ghostwritten and co-written nine memoirs and helped edit and publish over a dozen. We’re often asked about the difference between nonfiction and creative nonfiction. As a good writer understands… it’s best to ‘show’ not ‘tell,’ so here’s a creative nonfiction vignette–one in a series of stories–written by Dennis Lowery for his daughters (that others have enjoyed).

Some of the reader comments:

“Music often equals ‘moments’ for me. These little flashback memories that make me smile as I am driving, or working or just sharing with my kids. I think those are life’s soundtrack moments. Love that you share with your kids and the rest of us.” —Dawn Jackson

“It’s beautiful and important, making memories with those you love. Everything Dennis writes is just…. special, different, brilliant! You must be so aware of every moment, that you are able to tell about it in such great detail. You paint pictures with your words. Full color with sound and smell! Every time, it’s like I’m there! I love your writing” –Nina Anthonijsz

“Lowery writes really, really well.” –Kevyne Shandris

“Beautiful story…” –Lefti K.

“I had forgotten that I listened to this song often in my childhood. It is nice to hear it again. That you wrote a story around the song is truly amazing. You just keep proving, over and over again, what a talented writer you are. Keep it going. Hope to see more.” –Brenda Church



I sang along as I made notes in my planner at the kitchen table with Alpha and Beta (my two youngest daughters—twins—but not their real names), who were finishing their breakfast. “Dad, is this song a 10?” Alpha asked.

Sipping my coffee, I nodded as I set my cup down. Now, it’s hard for a song (or anything) to get a 10 from me. And for a song or album to earn that… it has to be great and tied to a particular memory. So, some fantastic songs end up as favorites, but only 9s. Alpha and Beta grill me on those songs that are 10s. And I always pause—to build a sense of expectation—and think about how to describe the experience that made the song a 10. Seeing the expectant look on their faces, I smiled.

“It is. I love this… it’s my favorite by the Eagles. And I remember the first time I heard it when I was around your age.” I finished my coffee and motioned for them to clear the table.

“In June 1975, I was fifteen years old—not much younger than you now—and worked at an antique store (more of an antique barn) close to my home, down Highway 7 South in Lake Hamilton. The owners had been there for years and did quite the business with tourists and visitors, especially during racing season (thoroughbreds) in Hot Springs at Oaklawn. I still remember how I got hired. When I met with the owner and his wife (a couple in their early 60s but hard to judge since anyone over 40 seemed ancient back then), they had just received a small flatbed-trailer load of marble sheets. I learned they would cut down, shape, and fit the marble as table, vanity, or countertops on wooden frames and furniture for resale. As she left us, Ann Davis told her husband to wait to unload the trailer until he could get someone to help or, better yet, someone to do it for him.

“I wanted the job, so I unloaded the trailer instead of standing there talking to him. ‘Where do these go, Mr. Davis?’ I asked, and he motioned for me to follow him. I was strong and could carry a sheet myself. The slabs were about 2 feet wide, 4 feet long, and an inch thick; each weighed around 100 pounds. I weighed maybe a solid 155. I unloaded the ten slabs and walked them about 40 feet into the work area, where he had his saws and wet-sanders. Returning outside, he watched me without saying a word. I came back out after the last one, soaked with sweat, and pulled my t-shirt up to wipe my face. ‘Ann,’ he hollered toward his house, which was nearby—I had seen his wife moving around behind the kitchen window. She stuck her head out. ‘Get this boy a co-cola.’ Back then, she brought me a Coke with a pull-off-tab style can. You always cussed when you stepped barefoot on the tab some idiot had dropped on the ground instead of throwing it in the trash. I put the tab from the can in my pocket, drank the Coke in three gulps, and had to smother a belch. Mr. Davis took a five-dollar bill out of his wallet, gave it to me, and said: ‘You’re hired.’

“I learned to cut and polish marble that summer and to trace and carve designs in wood used for tabletops and fill with different grain wood-putty. Sanded down and refinished, they were elegant, beautiful. They’d take a table bought for $5 or $10, fix any shaky legs, put a new top on it, and sell it for anywhere from $50 to $100+. One week, the hottest one of that summer so far, Mr. Davis asked me to help him at an antique and flea market event the coming weekend in Quitman, Texas, about a 4-hour drive away.

“That Friday, we loaded and were on the road by late afternoon. Back then, as you traveled, your radio reception faded in and out. At sundown, a clear station (signals grew stronger at night) and a song came through the crappy dashboard speaker of Mr. Davis’s cargo van. I asked him if I could turn it up. A curt nod was my answer, and I did. The singer’s voice was rich and pure, the melody haunting… the guitar riffs distinctive, and just as the sound steadied, it wandered off in a static hiss. Damn… it was a cool song and one new to me. My thoughts shifted, and I went back to watching the side of the road fly by. Not much to see.

“It was hot; heat lightning crackled and forked in the sky ahead. I had my window rolled down, and the warm air flowing dried the sweat on my right arm and shoulder, but my back was sticking to the cracked vinyl seat, as was my ass in my Levi’s. The heat came off the floorboard and radiated through my black canvas Converse and down from the metal roof with its thin lining. Sweat ran down my chest, stinging where I had sprouted chest hair, and coursed along my neck, through the V of my back muscles, and right into the seat of my jeans. As uncomfortable as that sounds—and it was—I was used to the lack of air conditioning.

“The roadside and telephone poles raced by. In the distance were a low band of fading sun and a haze of clouds. A lightning strike lighted a patch of them, a purpling-blue as its bright lance stabbed down. At a rare bend in the road, I looked back. Off to the east, a sprinkling of stars showed through a tear in the blanket of clouds that revealed the night sky. A shooting star cut a path through the opening as the static from the radio cleared. A DJ’s voice, swelling loud and steady, came from the speaker: ‘Here’s something new for your Friday night… perfect for the start of your weekend, One of These Nights by the Eagles.’

“And there it was. The song I’d caught part of 15 or 20 minutes earlier. That iconic opening by lead guitarist Don Felder and then Don Henley on vocals. I drank in every chord, every beat, and word. Didn’t feel the heat or the sweat and wasn’t tired from the long day, which had started at 06:00 AM that morning, and having done all the loading and knowing when we arrived, I would do all the unloading. The air streaming from the window carried a first hint of the freshness of the evening. The sun was now down and just a narrow orange-yellow band on the distant horizon to my right. I hand-surfed to the beat of the song, idly enjoying how the current of air buffeted the palm of my hand. As the song ended, I leaned out the window and let the night air dry the sweat on my face and neck, though it would blow my long hair into wild disarray. I was happy to be—kind of—on my own and headed somewhere I’d never been before. I smiled and tested my memory of the song. The wind caught my singing and scattered along the highway. It became one of those nights and moments to remember all my life.”

I sat back as Alpha and Beta grinned at me. I asked them, “Do you know why I tell you these little stories and memories from when I was young?”

“Because you want us to know why you liked the music,” Beta replied.

“Nope. Because maybe when you hear the song again… maybe you’ll remember all the times we sat at the kitchen table and talked. And to know they—these times like now, just sitting and talking—mean an awful lot to your dad.” I stood, went over, and gave each a kiss on top of their head. “Now,” I smiled, “you girls finish getting ready for school.”


From the Author:

“The wonderful thing about writing down moments and memories is that the act of writing itself becomes an extraordinary moment. As I wrote, I could see–and still see–my twins sitting at the emerald green and white tile kitchen table we had back then with matching ‘don’t want to go to school’ expressions as I told them this story.” —Dennis Lowery

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About THE LAST AUGUR | ARRIVAL

It wasn’t her mission, but it became her duty.

Iris Jondarc lost everything—her family, home, friends, and future. All that remains is the mission she was not selected for. But she’s the only one left; she sacrifices who she is to become the last Augur.

Then the mission fails… she fails.

Iris, a messenger intending to warn and save mankind, didn’t make it in time. Arriving in 1977, injured and found by a cruel, depraved man, she’s locked away in a secret room where she remains unconscious amid a swirl of vague, painful memories of a life she barely remembers. Awakened to blood and violence to find that instead of the decades of preparation she was to deliver humanity… it’s unaware it faces the same fate that befell her people.

Can she still fulfill her mission and save mankind? And, can she reclaim what she gave up so long ago?

The Last Augur – ARRIVAL is a gripping tale of survival and purpose, where one woman’s struggle to save a world that isn’t hers becomes a fight to rediscover her humanity.


From Advance Readers of the story (working title ALL I AM, delivered in serial installments), which has expanded into a longer version titled The Last Augur | ARRIVAL (coming for Halloween 2024):

“Well, I read it… and all I have to say is “DAMMIT!” too short… you had me all sucked in with it. 😀 Really it was like a movie in the pace it’s to be read at. A lot going on. Excellent short story Dennis Lowery. I really enjoyed it, and there is definitely room to make it into a longer story. Not to stroke your ego, but you do a wonderful job of immediately pulling someone into a story. I had been reading a long novel by Gore Vidal called Creation. It’s an excellent book, but it takes a bit to get into it… To compare the two (which really isn’t fair to either of you) it’s like taking a pleasant drive in a mild convertible (the Gore Vidal book I was reading), then suddenly, you round the corner and you’re in a 1000hp beast pushing the corners hanging on tight to the steering wheel. 😀 That was what it felt like when I mentally shifted gears and got pulled into your story. Well done, well done.” –Dan Syes, about All I AM [expanded into The Last Augur | ARRIVAL]

“Quite how you portray such things through mere words never fails to amaze me.” –Nyan N.

“Just finished reading it, and you certainly have to keep building on this story. The world wants more of this. I really liked it and it especially hit its stride once you toned down the Sci-Fi techno terms from the first chapter. The humanness in it, the small touches and grounded everyday people, their little things, doings, and feelings is what sold me. The swift action itself was made the stronger because of the moshy stuff, and vice versa, a very well-balanced story – a little Game of Thrones’esque in that regard. Well, different times and writing of course, but part-brutal action has its well-deserved place in a good character-driven fictional story and I think you did that balancing act very well here. So now you just have to write a full-fledged book, or why not an entire universe since I am sure there is room for many books hidden in this short story.” –Michael Koontz

“Another great story! Lowery is truly a Jack of all pens; is there any genre the man can’t write?” –E. W. Johnson

“Wow! That’s really impressive! Very nice (in a creepy kind of way).” –Damian Trasler

“Wow! Awesome, thank you.” –Conrad Ross

“Amazing.” –Atai Sumaya

“Interesting and suspenseful. I really enjoyed reading this episode. It kept my attention, I can’t wait for the next one!”– Cindy Chaney

PART 1 – “Ok. I’m hooked! Can’t wait for tomorrow’s installment but I guess I’ll have to. That sucks.” –P. Tane, about the serialization of All That I Am and they continued the next day with: PART 2- “Well, that was interesting. Still can’t wait to read more.” and the following day: PART 3 – “Ok. So what happened to the girl? The old lady apparently died in the rocking chair, but the girl was supposedly in some kind of a coma. You are killing me! Gahhhhhh!” And about PART 4 – “I’d rather wait for the installments. The story is proving interesting as I figured it might. I’m really enjoying your writing. I can’t wait for another exciting sci-fi [part].” PART 5 – “Oh, dude! You got me on the edge of my seat! What the hell! These are just small bit pieces you’re giving us. I need more! Pleeeeease!” –P. Tane

All I Am will leave you wanting more with its perfect balance of suspense and horror.” –J. Payamps

RISING SUN | SETTING SUN [Fiction]

“Excellent short story. Your writing style reminds me of my favorite short story author–O’Henry!” – James G. Zumwalt

“It has an F. Scott Fitzgerald feel to it…. Irony. How wonderful. I love this story.” – Vicky Kline


“Be resolved that honor is heavier than the mountains
and death lighter than the feather.”
―Yasuo Kuwahara

July 4th, 1945

The sun broke through the clouds and spilled shafts of light across the field. Beams fell across the line of aircraft, engines idling, revealing the first as the only one without a patchwork of repairs and binding. The others were Frankenstein creatures in the dawn light.

‘Like the monster in that American movie,’ Isamu thought. His mother had taken him to the movie’s re-showing for his birthday in San Francisco. She exclaimed, “Isamu, why do you like these awful movies? They are not suitable for you.” Still, she had taken him.

His mother had been an appreciated, if not respected, cleaning woman in America for six years. After December 7th of 1941, that changed to loathing and abuse. Just before internment, she and Isamu had fled to her family in Nippon.

Nearly four years later, on March 9th of 1945, she died hating the Americans. That first night of the firebombing of Tokyo killed over 100,000 others and left a million homeless.

Today was her birthday and his; an irony that it was also one of great celebration by Americans. For him, it had become a day of no meaning, ‘yet one that now meant everything,’ he thought as he stood at rigid attention. Slender, tall for his age, and fine-featured, Isamu squinted into the sunrise. Long fingers held the soft cover on his head as the wind whipped across the field. He was sixteen years old.

A man stood near a small building, an impermanent wooden blemish on the verdant field. The kaigun-dai’s—the lieutenant’s—empty right sleeve of his uniform tunic pinned to his shoulder flapped in the wind. Despite the asymmetry of a missing arm, he was powerfully built. Solid chest and thick neck; a sturdy pillar for a burn-scarred head that lacked an eye. Face stiff with pride, when he moved, you could see a vestige of the man—the ferocious carrier pilot—he had once been. Shattered legs healed but never the same, he heaved them, haltingly one in front of the other, toward the five young men.

The kaigun-dai glared one-eyed into the sun, refusing to yield and use his one hand to shade it. After a defiant moment, he glanced back at the line of pilots. ‘Boys, he thought, ‘mere children.’ He turned to face them, putting the sun behind him. “Today, you serve the emperor as do I. Today, we become immortal!” The words from his mouth were bitter, false. But no matter… all was lost. With a fierce scowl, he willed them to raise their eyes to meet his before he lurched to the last airplane in line.

The smallest and youngest boy stepped forward and marched quickly to meet the officer at the aircraft. Saluting the lieutenant, the boy climbed in, and a mechanic locked the cockpit canopy on each side. It went quickly… three more boys, three more airplanes, then the last boy and second aircraft in line.

Striding to his aircraft, Isamu saluted. The shine on the officer’s hard face caught his eye for a second’s pause. Sweat or tears, he didn’t know. A blind eye still weeps… a hardhearted soul still sweats. It didn’t matter which. Isamu climbed into the cockpit and watched numbly as the sergeant secured the side closest to the kaigun-dai. Not looking at him, the mechanic came around to the right and tried to seat the bolts, but that side had been repaired with wood already splintering, and the bolts no longer held. Not mentioning it to the kaigun-dai, the sergeant returned to stand by the building.

Left-handed, the kaigun-dai saluted the line and shambled to the lead airplane, the only genuinely worthy aircraft for a warrior, a tired, worn, but still deadly Mitsubishi A6M, Type Zero. Waving off help from the mechanic, he awkwardly one-arm pulled himself up the short ladder onto the wing and swung crooked legs into the cockpit. Unsealed, he would not have doubts or question duty.

The child-pilots’ three weeks of instruction had included no navigational training. They had barely absorbed basic instrument reading, power settings, and control movements. Hatchlings shoved too soon from the nest; today was their first solo flight. Lack of training would get them killed, but staying alive beyond today wasn’t the point.

At the side of the field, the sergeant waved a red flag. Isamu advanced his power setting three notches with the brakes on. He felt the shake of the increased RPMs. Not the shudder of power barely held in check, more the convulsing of a wounded animal forced to run when it wanted to lie down and die, a moan low in its throat. The green flag raised. Holding brakes, he went through what the kaigun-dai had drilled into them: Set power to half, study the aircraft’s tail ahead, and release brakes once it moved. When rolling, advance power to three-quarters. Speed at 60; ease back on the stick; one more notch of power. Get wheels off the ground.

Airborne, the wind pushed him with the palm of its hand. A steady shove. In only a matter of minutes and a short distance from the field—geese once a hunter fires their first shot—they were scattered. The wind, god’s breath moving clouds around a cerulean sky, startled them in all directions. Fighting it and trying to remember how to adjust trim to follow the lead aircraft; behind Isamu, others failed and angled off as the wind took them.

It was not far to fly. The American ships drew closer each day, their pounding guns never-ceasing… the shells never-ending. Their submarines, sharks, severing the arteries of his country. Their airplanes, first buzzing insects, then ravening crows, devouring the fields, now buzzards. Carrion eaters circling with mouths agape over the dead and dying.

Isamu glanced at the control stick. His hands—artist’s hands, his mother called them—gripped it. It shook and shivered in his grasp. The twitching of a dying animal. Soon he was over the Americans. So many ships! The sky became a garden of death flowers; black bursts of metal shards blossomed on their long smoke stalks and filled his view. Each bloom sought his life. Fireworks of the deadliest kind.

Ahead, the kaigun-dai’s Zero pitched down and dropped on a gray ship below. Explosions flailed the sky as Isamu pushed into a following dive. Fire and smoke ahead and below. Suddenly, the lead aircraft spun off to the right. One wing gone, its tail blown off… a discarded carcass, now it—and the kaigun-dai—nothing but food for the fish.

The ship filled Isamu’s windscreen. Its bridge and forward gun showed broad swaths of fresh paint and new rust in exquisite clarity. The gun centered, and he stared down the black maw of his death. A flash as he flinched, yanking the stick to the right, and the ship slid to the left. Ahead—for him—only gray-green churning water.

Slammed into the water, a rattle-shock of a can full of rocks dropped from a tall building onto the pavement, and the cockpit canopy gave way. The taste of bright coppery blood and bits of teeth in a ruined mouth, Isamu’s hands still gripped the stick. It was quiet, then his mother’s voice whispered, ‘beautiful hands, artists’ hands.’ All Isamu saw before him were those of a weakling as the waves took him under.

* * *

July 7th, 2012

‘… with the greatest respect, we congratulate you on your retirement after a long and honorable career in government.’

The quaking hands holding the creased paper Isamu read from were knotted, and gnarled fingers twisted like roots of a plant confined in a too-small pot. “Coward’s hands,” Isamu murmured. The reflection in the plexiglass displayed a scarred face and gaunt features eroded by life. Never married, he had served his country for many years, but once—when it needed him most—he’d turned from duty… from honor. Only to be pulled from the water and saved by those he hated. That still haunted him; his mother’s spirit would not let him forget… or forgive. Perhaps today, he could put it—and her—to rest, as should have been done decades ago.

But even for cowards, life is precious. He put the paper down on the right-hand seat of the Cessna. Sitting on the runway of the small airfield near Yokosuka, the late afternoon sunlight slanted onto his face through the windscreen. It caught each line and the scars that marked it. Twenty years after the war, Isamu had become a proper pilot. When he flew, it was always with the failure of what should have been his first and only solo flight in July 1945. Five years ago, he’d bought this small airplane and kept it at a private airfield close to the coast. Paying extra to the owner so he’d not question whether an old, frail, skeletal man should fly alone.

It was time. Isamu did not think he could wait longer. The doctors had used the phrase, ‘on borrowed time,’ an Americanism he did not care for. He had paid for it in pain, blood, and decades of near-sleepless nights. The old wounds on his face and those ever-new hidden inside, his receipt. Tired of idling, the engine called him back. He must start. Advance the throttle three notches, holding the brakes. Release slowly, advancing the throttle to half and then three-quarters. Ground speed 60 and pull back firmly. Add power. Get wheels off the ground. Isamu’s hands gripped the control column; not a stick but like driving a car. As he climbed, he noted, ‘no wind today,’ and turned to the east, the setting sun at his back. Bloody clouds bunched behind him; he flew out three miles, turned north, and then west again to approach Yokosuka harbor and the U.S. Naval Base from the sea.

The port was quiet this late Saturday afternoon. The ships below lined the piers and docks. Over the port, at 200 feet, he slowed and turned to choose his target.

* * *

Onboard the USS Montgomery, the ship’s quarterdeck and fantail were crowded with people, the spillover from the American-style 4th of July celebration cook-out ending on the helo deck a level above. The deck watch monitored the visiting school kids and their chaperones. They did not see the aircraft until it was nearly over the middle of the turning basin. Petty Officer OS2 Morgan Behrry called to the Officer of the Deck, “Mr. Walker, you see that airplane?”

“Yes, now I do… what in the hell is he doing… trying to spot something?”

“He’s made two turns and slowed; he’s gonna stall and go for a swim if he isn’t careful. Duffy, bring me those binoculars.” Morgan took them from the seaman Messenger and focused on the airplane as it arced toward them.

“Mr. Walker, that asshole has banked straight for us; crazy shit happens, sir; I’d clear the deck and call security alert.”

Still studying the approaching aircraft, the officer didn’t reply.

“Sir, what are your orders?” Morgan asked and waited. “Fuck,” Morgan muttered as the ensign seemed undecided. The airplane had dropped further and picked up speed; he ran to the 1MC… “Security alert, security alert, all hands man their security alert stations. Security alert team and back-up alert force to the quarterdeck port side.”

Turning from the 1MC, Morgan snapped out, “Duffy, clear the deck and get these kids off the fantail and onto the pier.” Stepping to the port side, he took a clip out for his Beretta M9. “Mr. Walker, I’m loading my weapon and chambering a round.” Slingshotting the first bullet, he stepped to the rail and faced the aircraft now plummeting on them. Ready to shoot and run like hell, he sighted on the windscreen where the pilot would sit. It kept coming. Not waiting for the SAT and BAF teams, he exhaled and squeezed the trigger….

* * *

With the dying sun in his face, Isamu thought, ‘I will not disgrace myself.’ He studied the ship growing larger before him; startled, he could now see people on the deck. Japanese children were on the ship running to crowd the gangplank onto the pier.

With a jolt and a loud crack, the windscreen starred with a spider web of cracks and blew in. Blood flowed from where part of his forehead had been blown away and gashes from the shards of the windshield’s stretched acrylic glass. Isamu pitched down and pushed right. Seconds later, he slammed into the water beside the ship; the gray-green water welcomed him as it had so long ago.

As the water surged through the shattered windscreen and over his head, Isamu held his hands to his face, ‘artist’s hands, to create, not destroy.’ “I am sorry, Mother,” he cried as her ghost finally released him.

As the aircraft settled, so did his soul. There was quiet and peace as the soothing waters washed his torn face, easing old pain as the sea took him, never to let go.

As it should have long ago.

# # #

“But seek only to preserve life, your own and those of others.
Life alone is sacred.”
 ―Yasuo Kuwahara

TIDE-BURIED BONES [A Vignette]

Note: Two comments on the cover above reference a version with a soundtrack and sound effects accompanying the story. Regrettably, the company I produced that web-server version with switched their business model, and the enhanced version is no longer available.

About this vignette:

One day I came across this photo of a decaying building sitting on a cliff over a sea, and, struck by it, wondered: ‘What’s its story?’ Read what it told me.

The photo that prompted writing the story.

The structure’s skeleton sat raw and crumbling with age and from the ravage of seasons and weather on a point of land over the sea. In a ruined bedroom overlooking the water, what was left of a once beautiful woman mourned her lost love. Decades ago, more years than she knew, she had found his body on the sharp rocks below, among those teeth of the sea that grind daily and will until everything was worn away except the memories and regrets of what she’d done. What she had caused. They weighed heavily as she stepped off the balcony each night to join him. When the moonfall sky turned to signal the coming sun, she must leave to climb the worn stone steps to cry until moonrise when she could return to him.

* * *

The couple had walked the beach for more than a mile; their last day, their last outing before flying back to the United States. Cameras in hand, the stark beauty of this part of the coast struck them. Jutting cliffs rose over the sea, and a jumble of rock and jagged stone amid patches of sand at their base.

Rounding a bend, they spotted the house. It had once been magnificent and offered a majestic view of the sea and coast. They made their way to almost directly underneath and, looking up, high above, were the remnants of what must have been a balcony. At their feet, chunks of masonry were buried in a bed of sand where the rocks that sat at the water’s edge sheltered them from the surf. Letting only swirls of water and the swash of seafoam spill over them. There were other things in the sand, too.

“Paul,” Angela swept the sea wrack away with her foot and stepped back. “Look!”

Paul stared at the two sets of tide-buried bones in the silt and sand. Their upper torso just reached the surface. The larger rode higher, spine arched, like a swimmer near drowning that had breasted, gasping for breath. The smaller skull rested on the shoulder bones of the larger set; a lighter-boned arm climbed from the sand to drape across its lower rib cage.

Angela knelt and used the bright blue scarf she took from her head to brush away some of the sand. A gust of seawind lifted the tops from the incoming waves and sprayed them as she leaned closer. What she’d cleared revealed more of the arm, something in its small skeletal fist. She nudged it with her scarf-wrapped hand. Shed of the sand, the circle of metal gleamed and came free. Angela touched the ring, and a stiffer blast came off the water with a keening sound through the rocks that made her grit her teeth. She picked it up; her hair whipped in the wind, and a tingle climbed her spine. The bad kind you get when you’ve done something you shouldn’t and got caught. She quickly rose. “I wonder who they were.” She looked above at the ruined house that watched over them. “And what happened?”

Paul shrugged. “It’s getting dark. We need to go.” He took several quick pictures and snapped his lens cap in place. “We’ll report this to the police back in town.”

They retraced their way along the beach. There was a lull in the wind. In the dead stillness, Angela turned, looked back to where the bones lay, and canted her eyes and ears up to the house. “Listen….”

“To what?”

“That sound.” Angela took her eyes from the house and glanced at the blue cloth, the ring wrapped inside, still in her hand, then at Paul. “I hear crying.”

* * *

The Polizia di Stato officer had flirted with her until he realized she was married and on her honeymoon. He put down the pad of paper he’d been making notes on.

“That palazzo is many centuries old. There are many reports of sounds, but no one has lived there for decades.”

“It was a woman. I know it,” Angela repeated.

The officer shrugged. “I’m sure it was just the wind.”

Paul asked, “What about the bones?”

“You gave clear directions where to find them.” The officer flashed his bright smile. “We’ve sent a forensics team to investigate. They’ll be brought in and checked to see if an identity can be determined.”

“What will happen to them and to this?” She touched the ring she’d given him, which was now in a clear plastic evidence bag beside his paperwork.

“The Carabinieri will find and notify any next of kin if we identify them.”

“And if not… or if there’s no next of kin?”

“Then the ring and a sample of the bones will be kept with the file, and the remnants cremated.”

* * *

Angela and Paul returned home to their newlywed life. It matured and became well-seasoned with years full of laughter and tears, sons and daughters, triumphs and tragedies. But at different times, as the decades flew by, her thoughts returned to that day. To that place at the foot of a seacoast cliff beneath an ancient ruined and forgotten estate thousands of miles away. Angela remembered what she’d heard and wondered if the woman still cried… and if she looked for her ring.

# # #

Thou Shalt Not… Thou Shall… [Short Fiction]

“Overhead, the wild huntsman of the storm passed in one blare of mingled noises; screaming wind, straining timber, lashing rope’s end, pounding block, and bursting sea contributed, and I could have thought there was another, a more piercing, a more human note, dominated all, like the wailing of an angel; I could have thought I knew the angel’s name and her wings were black.” –Robert Louis Stevenson, The Wrecker

Daniele watched Ian pour himself another glass of Macallan Double Cask… expensive whiskey they could no longer afford. His unsteady hands contrasted with the resolute expression on his face. There was a time when she had admired his apparent determination, seeing it as passion rather than what it was… self-delusion. Now, all she could see were the emptied bottles, manuscripts that never materialized, and a man who had lost himself somewhere between ambition and addiction… limited by the insecurities and inabilities he’d never overcome.

She remembered the first time he hit her, the shock of it more painful than the blow itself. She had convinced herself it was a mistake, an aberration, that would never happen again. It did. And each time, Ian—the part of him she once loved—faded even more. Replaced by this dissolute stranger who stood before her, staring out the window as if searching for something—perhaps the man he wished to be but never could. And that angered him.

Ian watched the squall, not flinching as the fat raindrops splattered an inch from his bloated face. “Doesn’t it scare you?” He slurred the words.

Daniele shook her head, knowing he didn’t care how or what she felt. The storm didn’t terrify her. The thought of living through it, of surviving only to return to the same life she’d lived with him, did. The fear, constant uncertainty, and walking on eggshells around a man who had once been her whole world. The piercing taunts, the relentless shaming, the escalating abuse that forced her into reclusion. “What’s that line from ‘Islands in the Stream’?” She knew he’d not mistake the book for the song.

“What line?” he replied, not turning from the window. The beach cottage creaked and moaned around them.

“What Hemingway wrote about hurricanes.” Daniele quoted: “He knew too what it was to live through a hurricane with the other people of the island and the bond the hurricane made between all people who had been through it.”

“Your meaning?”

“You wanted to move here. Here’s our hurricane.”

Ian aspired to be a writer of Hemingway’s stature and had insisted on moving to Key West. Hoping the vibe would revitalize his stalled career. It hadn’t yet, and nothing had changed. When he sobered, he defended his actions. Alcohol had been a crucial existential salve for Hemingway. Ian believed it was a much-needed release that fueled his idol’s writing. He had chosen the same path; a bargain with the devil that proved one-sided. And not in his favor. Five years after his bestseller, without a repeat of its success, cruelty replaced Ian’s creativity.

Daniele stepped closer to him as he looked at the wind-lashed palm trees through rainwater coursing down the glass. “Maybe going through this—the storm—will inspire your writing… make things better for us,” she lied as the hurricane’s shriek grew and the walls shook.

A different tempest brewed inside her as the storm bore down on them. Of despair and something darker she couldn’t suppress. Ian didn’t move from the window as she shifted to stand beside him. The reek of his day-long drinking clung to him. “Ian,” she called, her voice steady despite the fear she couldn’t do it that gripped her. “Ian, look at me.”

When he didn’t turn, the agony of his cruelty crashed over her like the hurricane outside; something inside Daniele snapped, unleashing a flood of pent-up fury she could no longer contain.

* * *

Aftermath…

Daniele stood at the remaining intact window. The remnants of the storm and the night faded as the sunrise bleached the sky. The walls that had quaked now stood still, but her tremor of realization, accepting what she had done, had just begun. She looked down at her hands, the faintest quiver from the lingering jolt of nerves still tingling in her hands. The wind outside became a mutter, and in that stillness, near her, were the fragments of a past life shattered and silenced.

She stepped outside to a landscape of chaos. The rain-laden air, thick with its salt tang heavy on her chest. Broken palm fronds, limbs, and downed trees littered the ground like fallen soldiers. Tattered clouds, low blotted patches in the sky—gray-red-streaked and dawn-edged—gathered above. Daniele walked to the debris-strewn beach, each step carrying her farther from the past and toward the future—the woman she had become.

* * *

First responders worked their way through streets full of wreckage. A tumble of broken jackstraw, former storefronts, and homes, few remaining standing and whole, the detritus of a devastated community that would take a long time to recover in the hurricane’s aftermath. There were bodies of those who foolishly stayed, and others dragged out to sea and washed ashore miles away.

“Ian wouldn’t go… he thought to ride out a hurricane was just another experience… something to help his writing,” Daniele looked at the police officer as two paramedics zipped the body bag around Ian, “and I couldn’t leave him.”

Two Years Later

“When you come out of the storm, you won’t be the same person who walked in. That’s what the storm’s all about.” –Haruki Murakami, Kafka on the Shore.

The Santa Fe New Mexican reporter closed the notebook and reached for his phone, which recorded the interview. “After the storm and your husband’s death, director Ridley Scott’s company optioned your husband’s first novel for a major production with Liam Neeson and Samuel L. Jackson. That movie became a tremendous hit and grossed $478 million domestically. I’m sure you wish your husband was alive to share the joy and financial success with you.”

Daniele nodded as if in agreement with the reporter’s last statement. “He always hoped to see some of his work in film and was a great Samuel L. Jackson fan.”

As Daniele had answered the reporter’s questions, the whir of a large set-to-high-speed ceiling fan reminded her of the storm’s last gasp as it passed. She could still hear it—faint but persistent—the ghost of the hurricane whispering in her ear.

The reporter’s voice drifted in and out, merging with her memories. She could see Ian’s ruined face again and hear the wind’s wail.

“Are you?”

“I’m sorry… what was that?” She blinked, forcing herself back to the present.

“Are you a Samuel L. Jackson fan?” the reporter asked again, but his voice remained distant, filtered by the ghost wind.

She forced herself to smile, relaxing the muscles in her face. “I’m a Liam Neeson type,” she said haltingly; the specter of the past still had a hold. “Those ‘Taken’ movies,” she smiled thinly. Her thoughts returned to what happened—what had to happen—that night at the height of the storm.

Ian’s gaze had remained fixed on the maelstrom outside the window, unconcerned that only glass and wood protected them. He didn’t turn when she called him, hoping to look him in the eye. “Ian,” she called again, her voice diminished by the howling gusts. But he still didn’t turn as she tightened her grip around the neck of the empty bottle she’d taken from the side table.

And she released the wrath she could no longer contain and then raced outside, gripping one of the stout porch columns for support. She grabbed a three-foot section of 4×4 post from where Ian had been building a deck extension. She broke the window’s glass from the outside, went back inside, and stared down at him.

Shards of glass now covered Ian, his blond hair darkened with blood at his temple where she’d struck him with the bottle. He was moving, struggling to stand. She had straddled him and pushed him back down as she leaned to whisper in his ear. “Here’s the line I like best from that Hemingway story: ‘He also knew hurricanes could be so bad nothing could live through them.’” Stormwater from her hair dripped on his face as she gripped the rain-slick post with both hands and, with a grunt, drove it down with all her strength, the crunch and cracking of facial bones barely audible over the storm’s roar. She leaned into it with all her weight until Ian’s choking, shuddering breaths and twitching had stopped.

The overlay of that memory peeled away, leaving the present; Daniele blinked and took a deep breath.

The reporter stopped recording and smiled at her. “A good wrap-up,” he said. He had met with her twice for the interview and to welcome a new—affluent—resident to Santa Fe. “Sensitive skin?” he gestured at her long-sleeved, high-necked shirt.

“A history of skin cancer in my family,” Daniele explained her odd summer wear and tugged the sleeves down. They and the high collars she always wore hid the scars left by Ian’s rages, though they were no longer thick ridges of puckered, seamed skin. The film rights sale of Ian’s single successful work had paid for her scar removal surgery with a discrete plastic surgeon in Los Angeles, reducing the mutilations to thin lines that now blended with unmarred flesh. But the improvement had not pleased her as much as the sensation of that wood post in her hands when she made Ian pay for what he had done to her.

“You must feel blessed.” The reporter stood and tucked his notebook under an arm.

Daniele lifted her head. “Blessed?”

“They say it was a miracle you survived that hurricane.” The reporter held his hand out.

Daniele shook it with a firm grasp that had surprised the reporter when they first met. “I’m hard to kill….”

# # #

Note from the author, Dennis Lowery

―THE ORIGIN STORY ―

I had a note in my story-idea book about revenge at the height of a hurricane for some time. It seemed a perfect way to cover up a crime. One hurricane-season morning, while enjoying my coffee and watching hurricane news (I live in Florida), I toyed with the thread of a few lines for that story as the caffeine kicked in.

As I scanned my images folder, I came across one (a text image) that gave me an idea for the title and the arc of the story’s protagonist, which fleshed out my premise… you can push a person too far, and then the 6th commandment (or other laws) may not prevent them from doing what they must to survive. And what better time to do something so drastic than when you stand a good chance of getting away with it?

The Sign of Fools & Sages [Creative Nonfiction]

Dream On started. I was at the kitchen counter, making sandwiches.

“Do you like this song?” I asked my two youngest—twin—daughters. Alpha and Beta [not their real names] nodded simultaneously, Beta with her spoon still in her mouth.

“Do you know the words?” Beta asked, wiping milk from her chin.

“One of my favorite songs to sing.”

It’s a thing with us, listening to music as they eat breakfast while I make their lunches for school. Also excellent talk time (with topics ranging from the music to things silly and serious). We discuss school and what they’re studying. They ask me about stories I’m working on… and we talk about travel, places we’ve been, and where we want to go. And I talk about life (often my stories are a good segue).

I had my phone on the kitchen table, Bluetoothed to our home music system. [I relish the rich sound from the speakers set in the high ceilings and bass thrum from the subwoofer on the floor in the corner.] We enjoy new music but play a lot of oldies: the 60s and 70s (the decades of my youth) with some from the 50s to go way back. My twins are the only kids in their grade that know all the words to Zager & Evans ‘In The Year 2525.’ And a slew of songs from The Temptations (you should hear them sing ‘Ball of Confusion’), Johnny Rivers and Bad Company, and other greats from back then. We were recently on a Styx kick, pre-Mr. Roboto songs.

I walked over and turned the phone so Alpha and Beta could watch the lyrics scroll. A favorite line was coming up, and I sang along. “Half my life’s in books, written pages. Live and learn from fools and from sages….” Beta stopped me with a question—I hate to stop when I’m rock-n-rolling—but it was a good one. The question a parent needs to consider and answer thoughtfully.

“How do you learn from fools, Dad?”

I turned the volume down (sorry, Steven Tyler). “Well,” I sat at the end of the table, “it’s important to pay attention to all kinds of people around you. But mostly those closest you might listen to or think you can learn from. Watch how they act and interact, what they say and do, especially the impression they give you. And then compare that to reality.”

Alpha’s bagel kicked up in the toaster. I put it on a small plate for her and brought it and the not-really-butter spread she likes to the table. [I’m a butter believer and look down on such pretenders, but she loves the stuff.] I explained what I meant. “Does what they say and do make sense.

Alpha raised her hand and glanced at Beta before speaking—it seems twins do that; I think it’s telepathy—and, they said, shaking their heads, “Martin.” [Name changed to protect the not-so-innocent. I’ve heard tales about Martin; heaven help his parents.]

I nodded and continued. “Odd and unusual people are easy to spot. You learn to avoid them and not take them seriously. But Fools can be hard to identify and often sound like they know what theyre talking about.”

Alpha had not-really-buttered her fingers, and I handed her a napkin. She asked, “How can you tell?”

“If they tell you about things, they can do… but never do them. Or when they do, it never works out, as they said. And they always want to blame someone else… they never take responsibility. People like that and those full of excuses are not the ones you should listen to… chances are they are Fools or delusional.”

“Does delusional mean crazy?” Alpha asked.

“No.” Though in my mind, I thought of people I’d met and known who seemed at odds with reality and could qualify as bughouse bizarre… batshit crazy. “Not exactly. It means the world inside their head is not the same world normal, rational people live in. No matter what reality shows them, they still believe in their own version of things. Stay far away from people like that… they’re Fools.”

Beta studied me. “But Sages are wise; smart people. Right?”

Back at the counter to gather their lunch stuff and put in their bags, I sipped my coffee, nodding. “Supposed to be.” I took another drink.

I didn’t (don’t) want to make my daughters grow up paranoid or suspicious of things and people in the world. But I think it’s crucial to learn not to place faith in anyone or anything because of a label, position, title, or perception they are an authority. And not because the media covers them extensively. That does not confirm, nor is that evidence of their value. My girls need to know to verify and validate that for themselves. I told them. “People who get things done and are right more times than wrong… who have authentic experience and produce actual results aligned with doing whats right. People who, when they talk, make sense and show intelligence and compassion… and you can match words to accomplishments and action. They are the ones worth listening to.”

I gave them the line again from the song. Yes, I sang it: “Live and learn from fools and from sages….” I want them to learn to acknowledge labels or reputations, but—and this is a big but, and I cannot lie—I want them to define people and assess situations based on their own relevant criteria. I continued, “Something important in life to understand.” [That’s not the first or hundredth time they’ve heard me say that. I got eye-roll from them but kept going.] “You can learn from both types of people. The way to do that is to judge by actions… results, not words. Listen to what people say, but what they do is more important. If a person proves to be a Sage, an intelligent person with sound, moral, ethical, judgment… then their words have weight.”

Beta raised her hand. “What does ‘weight’ mean—you know—how you just said it?”

“It means to take them seriously and listen. They have value and merit attention.” I went to the pantry for napkins and came out with their allotment. [I harp on being wasteful… my ‘don’t use more than you really need’ thing. If they have five, they’ll use five… if they have one, they’ll use it wisely. On pudding or fruit cup days, they get an extra napkin. I’m not unsympathetic on this issue.] “But don’t give people’s words power over you. Only you can—rationally, logically, and contextually—decide what’s right and wrong for you.”

Alpha poured more milk, adding some to Beta’s glass. “But what can you learn from fools?” She brought me back around to the original question.

“What not to do… and how not to be. We don’t live in a perfect world, and humans are imperfect, too. We all have flaws. The thing to do is to not just understand our flaws but also see them in others. Because that can be a factor in gauging the value of what they’re telling you and any advice they give you.” I put a drink-box, chocolate milk today, a snack bag of carrots, fudge brownie, and their sandwiches (Alpha’s turkey with mayonnaise and Beta’s peanut butter—not spread too thick—with grape jelly) into their lunch bags.

I made my ‘wind it up’ motion, twirling my index finger and hand clockwise to speed them up, an eat-your-cereal signal. “Fools can talk a lot and have little worth listening to. Sages may not say much, but when they do… you listen. And the most important thing is to think about what they say and decide what it means to you. That’s called giving it context.”

It was time to finish so they could read before walking to the bus stop. Alpha and Beta brought their bowls to the sink. Murphy—our Irish Terrier, my only boy—had discovered two Cheerios under Alpha’s chair and was underfoot exploring for more. While they wiped down the kitchen table and counters, another song came to mind, another favorite of mine. I switched from Pandora to my music library, found Simple Man by Lynyrd Skynyrd, and pressed play. It got to the line I wanted before they finished cleaning up. I put my hand on their shoulders, and they looked up at me. I sang a slightly changed version of a line from that song:

“Your father’s telling you… while you’re young. Come sit beside me, my lovely ones. And listen closely to what I say. If you do this… It’ll help you in so many ways.”

They smiled at me—used to this sort of thing—and hugged me. As they headed to their bathroom to brush their teeth and hair, I told them, “We’ll talk more about this….”

And we will….

SONGS MENTIONED:

Dream On – Aerosmith

http://youtu.be/yyfNHlqymP8

In The Year 2525 – Zager and Evans

http://youtu.be/izQB2-Kmiic

Ball of Confusion – The Temptations

http://youtu.be/-9poCAuYT-s

Simple Man – Lynyrd Skynyrd

http://youtu.be/sMmTkKz60W8

CRY FOR JERUSALEM | Progress on Film-TV Series Development

READ MORE ABOUT THE BOOK SERIES

CRY FOR JERUSALEM is one of our historical fiction projects–five years in development and writing–working with the author, Dr. Ward Sanford. A series of four novels covering the seven years leading up to the destruction of Jerusalem and its Temple by the Roman Empire in 70 CE.

CRY FOR JERUSALEM (one of our Historical Fiction Projects) Film-TV Series update
From author/client 8-8-24; email address redacted for privacy and certain names for confidentiality (concerning discussions at this point).
ADDUCENT STORY STUDIO
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Historical Fiction Series | CRY FOR JERUSALEM

“…vividly and intelligently depicted… the plot is as gripping as it is historically edifying, remarkably authentic, and rigorously researched. An impressive blend of historical portrayal and dramatic fiction.”

CRY FOR JERUSALEM (one of our Historical Fiction Projects) Film-TV Series update
–Kirkus Reviews

An epic tale, Book One, Two, Three, and Four in this historical fiction series are available now. Published by Stadia Books: www.CryForJerusalem.com

Historical Fiction Published by Stadia Books: www.CryForJerusalem.com

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One of our historical fiction projects working with the author, Dr. Ward Sanford: A series of four novels covering the seven years leading up to the destruction of Jerusalem and its Temple by the Roman Empire in 70 CE. —Dennis Lowery

CRY FOR JERUSALEM (Series) Reader Review
CRY FOR JERUSALEM (Series) Reader Review
Client LinkedIn Comment about Historical Fiction Project

“A thorough look at the chaotic era leading up to the fall of Jerusalem. Well-researched and described as if the author had personal experience in the time and places. He paints the settings in great detail, making it easy to picture the action. This detail does slow the story, but this is not a quick light read, but rather a look at the powers and influences at play while told in the context of a fiction story. In the genre of historical fiction, it leans heavier on the historical than the fiction. Character development was spot on. I appreciated the growth that was discernable in several of the main players. I’m looking forward to the second book.” –Lanita R., Canada

“I really did not know what to expect with this book. But it is a period in history that I find interesting, so I gave it a shot. When I started I thought it might be a dry history book, but it is fascinating. The characters come to life and the setting is vivid. Such a pleasant surprise. A really good read. I’m a little bummed I can’t find anything else by Sanford. Hopefully this won’t be the last thing he writes.” –Amazon Customer

“Yosef ben Matthias, a Jewish scholar, is tasked with traveling from Jerusalem to Rome as a representative of the Sanhedrin. He plans to petition the Roman authorities to release Jewish prisoners awaiting trial. Yosef is apprehensive about the dangerous journey but also excited to see Rome, long impressed by the discipline and sophisticated organization of those who rule it. He travels by sea, but the ship that conveys him is waylaid by a powerful storm, and he ends up floating precariously in shark-infested waters on a wooden plank. He manages to survive and, with the help of two passengers he befriends—Nicanor, a veteran Roman soldier, and Sayid, a Syrian boy—saves the life of Lady Cleopatra, a noblewoman promised in marriage to Gessius Florus, a prominent quaestor and tax collector. The three rescuers are rewarded for their parts in saving Cleopatra, whose best friend, Poppaea Augusta Sabina, is married to Emperor Nero. In this first installment of a series, Yosef comes to realize what a tinderbox the political situation has become. As Roman leaders become increasingly authoritarian and hungry for tax proceeds, Jewish militancy increases, setting the stage for a brutal confrontation, a historical predicament vividly and intelligently depicted by Sanford. And Nero, looking for an excuse to rebuild Rome, raise taxes, and consolidate his power, takes Florus’ advice to burn the city to the ground, starting the “most extensive and destructive fire that Rome had ever experienced.” The plot is as gripping as it is historically edifying, remarkably authentic, and rigorously researched. At its conclusion, readers will be left impatient for the book’s sequel. An impressive blend of historical portrayal and dramatic fiction.” —Kirkus Reviews, about Book One

“Fascinating fact-filled historical account. Excellently written action packed with characters that participate in the events leading to Jerusalem’s destruction in the year 70. You will not be able to put it down.” –Elmer Landis

“Great read! Really enjoyed the characters and the historical time line. Can’t wait for the next one!” –Stephanie Maye

“This is an excellent read. Ward Sanford’s story, “Cry for Jerusalem…Resisting Tyranny” is a very well-researched, highly evocative, and a richly imagined portrait of the period. It is a fascinating read, and one that will long be remembered in the imagination of the reader.” –Michael Kamandulis

“A wonderful read! Keeps you riveted from beginning to end. I can’t wait until the next book comes out.” –Dennis Karp

“In this historical novel set in the first century, the lives of four unlikely friends are threatened by the gathering war between Emperor Nero’s Roman Empire and the Jewish population in Jerusalem. Nero has nearly bankrupted Rome as a consequence of relentless prodigality, diminishing the empire’s power and sending many of its provinces into mutinous discontent. His devious plan is to manufacture a war with the restive Jewish population—especially in Jerusalem—in order to plunder its treasury, and he’s prepared to deceive his own generals in order to accomplish this. In this second installment of a four-volume series, Sanford deftly depicts the historical conflict by chronicling four intersecting lives. All of these characters meet by sheer happenstance but form a potent bond: Cleopatra; Nicanor, a Roman centurion; Sayid, a Roman solider in Nicanor’s legion; and Yosef, the military commander in charge of Galilee. Nicanor participates in a major loss against the rebels at Beth Horon under the leadership of Cestius Gallus, who entrusts the centurion with a packet of documents substantiating his suspicions that his campaign was purposely sabotaged by his own advisers. Meanwhile, Yosef tries to unite Galilee to oppose the inevitable Roman invasion but is despondent that his own people visit so much violence upon themselves, an inner conflict subtly portrayed by the author: “Yosef did not know who he hated more for what had happened—the Romans that had pushed the situation in Judea to this point or his own people who, for selfish reasons, had killed the innocent or let them be killed. They were driving them all toward inevitable death and destruction.” Sanford’s historical rigor is impressive and his account of the age’s troubles, nimbly nuanced, unburdened by any calcified moral strictures. One caveat: For readers unfamiliar with the series opener, this will be a difficult (though not impossible) novel to follow. But the sequel is a captivating treat for those who enjoyed the book’s predecessor. A thrilling blend of powerful emotional drama and meticulous historical scholarship.”


Was it fate, destiny, or some divine plan that brought four very different travelers together in their struggle to survive what should have been a routine trip to Rome?

These new friends and their family members played pivotal roles at a focal point in the history of Western Civilization.

Winds from the west were carrying the embers born out of the great fire in Rome, threatening to reignite in Judea and create a conflict that would forever change the world for Jews and Christians.

In this first novel of the series, the Jewish rebellion begins in a backdrop of secret tunnels and assassins—the dreaded Sicarii could strike faster than lightning and blend back into the crowd just as quickly. Even hardened Roman mercenaries were no match for them.

In between the known historical events, there’s the story of the people involved. You get to meet them in Cry for Jerusalem.

Here’s what other readers say about Book One:

I was so excited to get a chance to review this new story before publication. As a Christian who has studied the Bible a great deal, I have often been compelled to search out extra-biblical references to this pivotal period of ancient history. My personal preference as an avid read is novels, so the idea of an historical novel connecting my passion for this period in our past with my love of a compelling story was exciting.

“Ward weaves an amazing tale from the perspective of a first-century observer. He connects history, geography and characters from our past into a story of adventure, danger, intrigue and deception. He takes us on a journey throughout the Middle East from the dangers on the high seas, to the secret meetings of Roman officials and Jewish leaders, to the average person living through these tumultuous times.

“I highly recommend this book and I personally look forward to his next installment!”

Paul Patti

“From the beginning, this book had me. The storyline has everything you might want in a good read. It has intrigue, great plot, perceptive character development, romance, epic themes of good and evil, all woven into a backdrop of history that is brought to life through the characters in this book.

“After a recent visit to Israel, this story had me reliving the experience of walking these lands with new eyes to see and feel what this great drama in history may have been like.

“I am eagerly anticipating the next book in the series.”

Chuck

Great history lesson with intriguing character development. I loved it and believe it’s definitely worth a read. The story grows on you as the characters develop living in this high drama time period.

Volner S. Robertson

I was delighted to have the opportunity to read this book ahead of its delivery to Amazon. I’m an avid reader but have not typically been a fan of historical fiction, but this book absolutely captivated me from the first chapter. I couldn’t put it down. The characters are interesting and complex, the scene is fascinating (right before the fall of the temple and Jerusalem), the story is engaging, the situations very real… so good!

Allen

I really enjoyed reading this book! The author successfully immerses you not only in the historical details of the time period he writes about, he also draws you into the day-to-day lives of the people involved. As I read about Yosef, his brother Matthew, and his sister Miriam, I began to feel as if I, too, was experiencing what they were experiencing in the tense circumstances they were living – rooting for the “good” guys and hoping for the defeat of the “bad”. I eagerly await Book 2 in this series to see how the battle for Jerusalem continues to make heroes out of ordinary men and women who are passionate to protect their beloved city.

Susan Wood

“Very compelling story. It’s a very interesting story. I loved all the characters. It is hard sometimes to realize how it really WAS back then. We are so removed from that time, and yet as Christians, we know that we have our roots in Israel, and this is really what it was like. Ward has great characters, fictional though they be, there were people then just like Yosef, Cleo, and the others. I highly recommend this book to everyone who wants to know more about Israel and about the Christian faith.”

Lacers