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Codename: ‘THE FERRETS’ | SO Team R-1

From a series we’re developing (more on it to come) with its roots set in World War II about the exploits of the veterans of a fictitious elite OSS unit, SO Team R-1, Codename: ‘THE FERRETS.’ The accompanying images are concepts for their unit patch. The series spans World War II (operations in Romania and throughout southeastern Europe) to the present day, as surviving team members—and their successors—adapt to new missions and evolving threats.

‘The Ferrets’ original assignment, OPERATION: RATCATCHER, was to locate secret redoubts, fortified bunkers, places where high-ranking Nazis could hide and escape routes (ratlines) they could use once Allied forces moved to re-take Europe. Then… to capture or kill those they found.

Their secondary mission—1944-45 and post-war—results from the team members’ involvement in 1943’s OPERATION: UNDEAD, a temporary deviation from RATCATCHER. OPERATION: UNDEAD and its aftermath had a far-reaching, long-lasting impact on the team. We recount its events in an upcoming story.

After the war, ‘The Ferrets’ surviving team members, some now operating solo, face a new era of covert threats and sinister adversaries. Their loyalty to each other, duty, and honor come with a grave personal cost, leaving even more visible and concealed scars as each follows their chosen path.

The name ‘The Ferrets’ was carefully selected for the story to reflect their wartime and post-war roles, symbolizing the team’s resolve, adaptability, and ability to operate in the shadows. Like the animal they’re named after, ‘The Ferrets’ are unyielding hunters, capable of breaching the darkest, most secretive locations to track down their prey. Clandestine operators focused on elusive targets to capture or kill and to find and secure deadly artifacts and dangerous intel.

Symbolism of the Codename:

  1. Persistence and Tenacity: Ferrets uncompromisingly pursue their prey. They never give up. This mirrors the mission of an OSS team stalking Nazi leaders and searching for, sequestering and securing, Nazi-discovered relics and arcane knowledge that pose a current risk to Allied forces and an inconceivable future threat to civilians and governments globally. Neutralizing threats that persist even after the official end of the war.
  2. The Hunt: Just as ferrets are adept trackers and hunters, the OSS unit searches for and finds hidden Nazi facilities, underground fortifications, and garrisoned repositories with equal expertise. Their ability to navigate complex, forbidding, and treacherous environments makes them uniquely capable of penetrating and assaulting them from within. Capturing or eliminating Nazi leaders, depraved men and women, and expertly uncovering and seizing secreted Nazi assets, experimental equipment, and securing lethal instruments, deadly oddments, and perilous discoveries.
  3. Stealth: Silent and swift, ferrets slip in and out of restricted spaces, much like the OSS team, who must infiltrate enemy-controlled areas, collect intelligence and objects, strike with precision, and vanish without a trace. This makes them feared—and targeted—by those who believe they can hide… believe they’re protected… behind layers of camouflage and secrecy.
  4. Elusiveness: Known for their cleverness, ferrets are elusive creatures, evading enemies and using their surroundings to their advantage. ‘The Ferrets’ skillfully avoid—most—enemy traps and ambushes and expect to complete their mission and escape.
  5. Vermin Control: Historically, ferrets drove rats and other pests out of their hiding places. ‘The Ferrets’ root out Nazis hiding in hardened ‘burrows’ or on the run as the war moves steadily toward a Third Reich collapse. In the post-war world, they find evil goes by many names and labels other than ‘Nazi.’ There is ‘no pause for the wicked… so no rest for the weary.’
  6. Psychological Warfare: ‘The Ferrets’ also serve a psychological purpose. For evil men and women hiding or operating within the dark, the idea of an elite team inexorably hunting them down creates a palpable sense of fear. ‘The Ferrets’ have a reputation for leaving no trace as they pursue their targets, a fearsome force working within the shadows that hide those they hunt.

THE CANDLE [Fiction]

A Haunting Love Story of Revenge & Retribution

“Being deeply loved by someone gives you strength while loving someone deeply gives you courage.” –Lao Tzu

The passion of love bursting into flame is more powerful than death, stronger than the grave.

Some reader comments:

“It was wonderful. Chilling and hauntingly beautiful… very Stephen King-esque. Right up my alley, being a huge Stephen King fan. I have goosebumps. Absolutely loved it.” –Bobbie Today

“Like your writing, it is so original and imaginative. It comes from somewhere deep inside. And you deliver your words of art so well.” –Renee M.

“Captivating.” –Mohammad Azam Khan

“Stephen King would be happy to put his name on this story! (I mean this as a compliment).” –Jyoti Dahiya

“You wrote a great story and I felt every word. Your ending, the SPOILER REMOVED was significant. Thanks so much for sharing your beautiful heart!” –Evy Hannes

“Poetic justice. Love it.” –Vicki Tyley

“Wow, I adore your writing! You pulled me in very quickly, and had me wanting more and more! Excellent story, I thank you for that amazing read. You are a very talented writer.” –Cristie Brewer

“Wow, I enjoyed reading very much.” –Irene Kimmel

“Wonderful, Dennis. Very well written!!” –Sylvia Sotuyo

“Wow… what a great story. I loved it, Mr. Lowery. Loved it!” –Jo Ann Boomer

“Love it!” –Fay Handstock

“Brilliant, Your writing always leaves me wanting more! I too saved it to re-read later. Thank you.” –Rebecca Harden-Heick

“Oh, wow… Very powerful… I felt so much compassion for the couple. And the intrigue of the supernatural, really gets you thinking. An excellent story.” –Margie Casados

“Great story!” –Susan Gabriel


The Story

The Old Market

I had seen the old woman alone at the entrance when we went through earlier. We’d worked our way to the back of the outdoor market, then through all the side rows and offshoots. Peter was one step behind me, his arms draped with loops of full bags. He didn’t like to shop but had made it through a whole day—so far—without complaint. I guess thanks to it being our honeymoon. I smiled at him, and he smiled back. The packing I’d have to do this evening would suck, but today was our last day. Back to Chicago tomorrow and then on Monday, returning to the ordinary world and daily grind. This time as newlyweds in our own apartment.

Peter had been checking his watch—a subtle ‘can we leave soon’ message—for thirty minutes, so I headed back toward the only entrance and exit.

That morning, the woman had only one item, and I thought she waited for someone else or hadn’t unpacked more to set out. There was still only one thing before her: an old chalice-shaped candlestick with the stub of a candle in the middle of her table. The woman’s eyes did not wander. She sat so still, not trying to catch people’s eye or engage them in conversation to draw them to her table, as did the other vendors. It didn’t seem to matter if she sold the candlestick or not. I slowed as we approached her.

“Amanda, come on.….” Peter’s low mutter was the first sign of impatience as he caught up to where I stopped.

The woman studied me without expression. In her eyes, the deep wrinkles framing them were such a depth of sorrow that it caught my breath. The bustling noise of the surrounding people faded into quiet just for the woman and me.

“Hello,” I smiled. The old woman nodded without speaking. “Is this all you have for sale?”

“All I offer.”

I picked up the candlestick. Surprised at its heaviness, a rough, dull metal that might be a tarnished pewter. I rubbed my thumb over the dry surface of the candle stub and pieces flaked off. But its wick seemed new, never lit, and not brittle like the wax. I turned the candlestick upside-down and checked the base. Solid, but in the center was a rectangular compartment, a cover hinged on one side, with a tiny latch. I tried to free the fastener.

“That will only open for the owner,” the woman’s smile showed the glint of bright dentures far younger than she.

“What’s inside?”

“That’s for the possessor to discover.”

“Aren’t you the owner?”

“Why do you want to know what’s inside?” Those eyes fixed on me as she continued, “Do you like this candlestick?”

“Needs a good polishing,” the woman’s grin grew at my awkward haggling. “Too bad you don’t have another to make a pair.”

“That candle was used.” The smile was gone, and some emotion shadowed her eyes, darkening them more. Something flickered in them when she looked at the candlestick in my hand, then to my face, and on to Peter’s.

“You can buy another candle. What happened to the other candlestick?”

“It did what it was created for, and all I… all we asked,” she stood, “this is all I have left.”

I didn’t follow what she meant and thought, time to leave. With frequent glances at me, Peter had been looking at the contents of the next table over an assortment of hand-carved salt and pepper shakers. I’d put him through enough for today and started to set the candlestick down. Something in its heft rooted me, and without meaning to, my grip tightened. Peter still fidgeted, moving the shopping bags from hand to hand. He loved me, and I loved him more than anything. The certainty surged through me more than during our marriage ceremony. “How old is it?”

The woman shrugged. “My husband,” the softer melancholy came back and caught at her words, “bought the set many years ago from a woman who told him a story. Stories,” she shook her head, “were always his weakness. But it was also practical. When we were young, we often dined by candlelight as much to save money as because he was such a romantic man.”

As she spoke, the old woman stroked the wedding band on her gnarled hand. Once upon a time, it must have been a better fit with the fullness and firmness of youth. With the finger shrunken with age, only a swollen arthritic knuckle kept the ring on her hand.

“How long have you been married?”

“He died suddenly,” she reached out and touched the candlestick I still held, “today is a week past. We were married for sixty-five years.”

“I’m sorry for your loss.” I glanced at Peter, who stood beside me with a tired smile and thought of our wedding just seven days before. For a moment, six heartbeats—I felt each one—I wondered about living with and loving him for sixty-five more years. Nothing would make me happier.

“We had a full life together… and even after.”

I didn’t follow the last part, but the woman smiled again. “Why do you want to sell such a sweet reminder of your husband?”

“He is still here,” she touched her head and her heart, leaving the hand over a now withered but once full bosom, “that’s all I need.”

“What about leaving it to your children?”

Grief dimmed her smile again. “We were not so fortunate… my daughter died at birth, and we could not have more.”

“I’m so sorry.” I set the candlestick down to open my purse, deciding a last honeymoon souvenir, this one, would be fitting.

The woman picked it up, “And this… I want to go to someone young.” Her eyes shifted from me to Peter, who stood there paying attention with bags now at his feet, “Young and in love.”

Peter had his wallet in his hand, “How much?”

“Nothing.” Cradling the candlestick in her hands, the old woman passed it to me, but her smile was for Peter.

“I have to pay you something,” I insisted.

“No,” and a sternness came into her eyes that didn’t harden the smile on her lips, “you don’t. A gift to you.”

“Thank you,” was all I could say. The old woman’s expression brushed my heart. I knew it was a grandmother-not-to-be’s tenderness for a granddaughter she never had. I handed the candlestick to Peter as the woman folded the cloth on her table.

Seeing Peter inspect the cover and latch at the base of the candle, she said, “It will open for you when love and the need are the strongest,” her eyes glistened, “as its mate did for me.” As she turned to put the folded tablecloth in a large bag on the ground beside her chair, she whispered, “And so I had him, my love, for one more hour… to say our goodbyes.”

Peter had gathered our things, putting the candlestick in one of the canvas bags. Before the woman turned away, I leaned across the empty table and touched her arm at the elbow. She glanced at me, and I asked, “You say you bought this when you were married?”

“Yes,” and with a last look into my eyes, she turned away, “on our honeymoon.” She walked into the crowd and was soon out of sight.

Chicago…

Bags were everywhere. Amanda had unpacked their clothes and luggage over the weekend, but the things they had bought were still in boxes and store bags. The one thing that had come out of the bags was the candlestick. She hadn’t even thought about the old woman in the hustle of flying back home and seeing family. But her candlestick was on the mantle over one of those artificial meant-to-look-like-the-real-thing fireplaces.

Amanda turned to Peter, who had, unlike her, had the day off, “That’s all you unpacked?”

“The only thing I was sure of where you’d want it to go.” He walked over to the window and studied the street three floors below. “I still don’t like this area.”

“I’ll be fine.” Before they took the lease, she had seen the high crime rate trending down. Still, Peter had concerns. But this location was the closest compromise of affordability and nearness to the metro and their work.

Peter turned from the window. “As soon as I can finagle a change, I’ll get off the night shift.”

But they both knew they needed the higher pay. At least until they paid off bills, which would take longer, she contemplated the bags of things they had bought on their honeymoon.

Months later…

The woman with the long legs caught the young man’s eye. She rode the subway with style, graceful like an old Hollywood movie star among everyday people. He scratched at the coarse growth of hair that covered his cheeks and throat in patches and elbowed his friend, who lifted his eyes from his phone. He cocked his head toward the woman just down from them. “Check her out… legs in the blue dress.”

Amanda was wearing the pearls Peter had given her even though she had promised never to wear them without him with her. But it was a short week and a half-day Thursday for Tom, the senior partner’s office birthday party. She was so happy and wanted to finally show them to Sue, her best friend at the office. Besides, she was headed home in the mid-afternoon. No one would bother her in broad daylight.

The two men followed her when she got off.

With the coming three-day weekend—the first long weekend since their honeymoon four months ago—on her mind, Amanda neglected to scan the area as Peter had told her to do when going to and from the station. She entered their building, bypassed the elevator, and headed for the stairs. It’s great for the legs, Amanda thought. Feeling that good burn in her calves as she went up the steps, she did not hear the rustling sound of the two men moving almost as fast to catch up. They did. Right as she opened the door to the apartment.

* * *

Peter was excited, not just because he was off—no work tonight—a pleasant surprise when he’d shown up for his shift. The promotion he hadn’t told Amanda about had come through. Starting Monday, no more night shifts and a 20% raise. Hallelujah… they’d have breathing room and could save money toward buying a proper house with a yard. Everything they’d hoped for and dreamed. He loped up the stairs to the third floor. Their apartment was just across from the landing. Keys in hand, he unlocked the door and stepped inside.

* * *

“We got time,” the scraggly bearded man said, “They ain’t going to complain,” he glanced down at the dead woman and dying man. “Bitch,” rubbing his shoulder, he kicked the candlestick gripped in the woman’s hand, but it didn’t loosen. The two men split and pocketed the man and woman’s cash. The pearls were smeared with blood. He walked to the kitchen sink to wash them and didn’t see the dying man stir. Hearing a clatter, he stepped into the hallway to call out to his partner, rummaging through the apartment, “Hey, you wanna be quieter… you find anything else?”

* * *

Peter heard them, one in the kitchen and the other in the bedroom, and tasted bitter blood. He hadn’t been there to save Amanda, a worse bitterness. Her eyes were open, but she wasn’t breathing. The pool of blood had expanded from under her body from where he lay. His own grew to touch hers.

God, how I love you was all Peter could think as his vision flickered. His head lay next to the fireplace. Amanda’s right hand held the candlestick she had grabbed from the mantle. Staring at the bottom of the base, he remembered the old woman’s words: ‘It will open for you when love and the need are the strongest.’

Not sure what he was doing or why… it took what strength he had left to pull himself toward Amanda. He couldn’t free the candlestick from her hand but could lift it to see the latch. It opened. Inside was a rolled-up piece of paper. Not paper… parchment. He slid it out to read the writing.

Time within the candle wax
you hold now in your hand.
Sixty minutes in the molten drops
like hourglass grains of sand.
The wick, when kindled for one you love
gives life for that single span.
Not enough to live your dreams
but enough for a moment planned.
Light it with your heart’s last flame
to bring back at your command,
a loved one from what was death.
Now filled with life’s fire fanned.

The matches from the mantle were on the floor, too. Everything was slipping away as he fumbled with the box. Getting one out, the first wouldn’t strike and snapped. A black veil came down as he got another and struck the match. He held the flame to the wick. Dropping the burnt match, he held Amanda’s hand in his left as his right wrote on the tile.

* * *

“What’s that in her hand… and on it?” The homicide detective looked down at the body and the kneeling medical examiner next to it.

“An old candlestick… melted wax and blood.” The ME stood, “She matches the identification upstairs for Amanda Mickson.”

“What’s her body doing on the street with this mook?” The detective nudged with his foot the body of a scruffy-faced man. “While her husband’s body is upstairs, his throat half slashed open, and another man dead in the bedroom with his head bashed like this guy?” He toe’d the body again.

“Here’s the thing,” the examiner removed his glasses and rubbed his eyes. “Where’s the blood?”

“What you mean, where’s the blood? There’s blood all over that guy?” He kneeled and pointed at the mook.

“I think that’s his blood… I’m saying Amanda Mickson’s. Her jugular was cut. I checked, and she’s bone dry.”

“What?” The detective checked his wristwatch, “Been a long fuckin’ day; what are you saying?”

“I’m saying Amanda Mickson is down here and did this guy in, busted his head open. But I think all her blood–the other puddle… not the one from her husband–is upstairs. No way she comes down all this way, chasing this guy, catches and kills him.”

The detective shrugged, “Don’t know, but I think the two fuckers deserved what they got.” He had seen upstairs on the floor. Someone had written, had to be Peter Mickson, in blood: ‘Read the note from the candle. I love you, Amanda…’ and surrounded with a heart.

“I think she was dead before her husband. But I won’t know for sure until I get them on the table,” the ME said. He shook his head, unsure what to think or how he would write this up; he beckoned for the waiting men to bag her. “Why would he leave a message for his dead wife?”

“Don’t know… but seems she didn’t wait for no judge and jury,” the detective grunted as he stood. “Let’s go upstairs; I want to see the note again.”

The medical examiner turned to him, “I read that and it made me think of something. You recall your Bible?” At the detective’s puzzled expression, the ME shook his head and continued, “A line from the Old Testament in the Song of Solomon:

The passion of love

bursting into flame

is more powerful than death,

stronger than the grave.”

# # #

The image that prompted writing the story…

THE KNOCKING DEAD | Halloween Humor

Before the reclamation… the recovery of humanity, they called them Walkers. The undead zombies that spanned the land after an unknown event crashed civilization, leaving handfuls of us alive. Small pockets of society that soon reverted to the primitive roots of survival: kill or be killed.

On the run, we fought back, always seeking someplace safe. Somewhere to make a stand and to begin the climb toward the rudiment of lives and lifestyles we once took for granted. Finally, after bitter years, we did. Humanity—we—re-established our world. Maybe not entirely as it once was, but close. Perhaps an even better one for what we learned about ourselves during the dark days. But there were dangers in this new world. Still, things to be wary of for their intrusion into your life and aggravation brought to your doorstep.

We’d had close calls before, but one day, we weren’t so lucky.

It was that last remnant of daylight when the sun had gone from yellow-orange on the horizon to bands of striated orange, then orange-red, to a scarlet orb eye-level low and dipping lower that turns the sky and clouds around it shades of crimson. There was a sound at the front door, the scuff of feet on the stone pavers, then a ring and a knock. Finishing up my writing for the day, I heard and caught out of the corner of my eye my wife passing my study door to see who it was.

“We don’t mean to bother you, but we’re in your neighborhood to share some information.”

My wife is polite, and I knew she paused. That hesitation was their opening.

“Have you heard the word of…”

My wife should have lashed out—perhaps her battle-earned reflexes had been lost—to stab them through the head and end the situation. But she had reverted to the polite, civilized lady of before. I looked out my study window and saw the man in front, a cluster of others behind that moved closer, massing at our door. Scenting the kill.

I spun and grabbed my old friend, that had never let me down. A six-foot oak staff with a serrated blade embedded and secured as stoutly as a man-hating 50-year-old virgin’s loins.

I came out of my office, moving like in days long past. I felt that memory of once athletic grace flow through me, my body automatically responding. The muscle memory of survival. In the foyer, I placed one foot and my 212 pounds behind the door so it would not easily open further, and with my free hand, I swept my wife behind me, waving her further back. I needed room to work.

A quick glimpse through the doorway. I saw Sunday-Go-To-Meeting clothing: women with purses on crossed arms, hands with bundles of leaflets, men with the same tracts but sometimes holding a black or brown leather (or faux-leather) bound book with a purple ribbon placeholder peeking out that gave a slight rise and settle as an eddy of wind swirled.

Perhaps they were good men and women all. But through perverse hunger to spread their creed, they could suck the time out of your life as you tried to be courteous and hear them out. Trying to be civil, though you weren’t remotely interested in what they espoused.

In that situation, I’m no longer polite. No, not at all.

I swung the door wide and took the first man—the knocker—right through the throat. Yanked out and jabbed again, this time in the head. It fell back but remained standing. I took the next right through the forehead. It should have dropped but merely stepped back, pulling itself off my blade. Nothing worked… they kept coming… kept trying to hand me tracts and information on their belief… kept interrupting our day with their unsolicited tag-team approach. The only recourse… epic rudeness.

With a harsh sound that my daughters call the MAD DAD voice, I thundered, “NOT INTERESTED, DON’T COME BACK!” They retreated, and I slammed the door. My back to it, I saw my wife’s look… full of reproach. Thirty-five years, and it still has a measure of impact. But not this time.

“You don’t have to be so…”

“Yes… Yes, I do.”

I knew chances were in a month or two… I would have to be again. Because it seems the Knockers always come back.


The inspiration for The Knocking Dead

Here’s the Story behind the story from Dennis Lowery: I read a brief article about a cemetery that was maintained only by donations and judging by the accompanying picture showing how dilapidated it was… is seemed funds weren’t coming in. Then I thought, “I guess the dead aren’t very good at raising money.” That led to, “What if they–the dead–went door-to-door?” And that led to thinking about the pesky/pestering folks that come around ever so often. “The Knockers…”

Only they’re not looking for money (directly)… but for souls (so to speak).

Watcher in the Window [Fiction]

“We stopped checking for monsters under our bed when we realized they were inside us.”

–Charles Darwin

“Grownups are the real monsters.”Stephen King

TapTapTapTapTap

I kept moving, and thinking of other things helped me take my mind off how fast the sun was setting. About what happened. Grandpa had said the push and pull friction between the Rights and Lefts split America’s heart. And about the time when that was at its worst, he said ‘we’ were at our weakest—the elections—when it happened. I mean, we don’t even know what ‘it’ was, what or the cause. But once started, it swept the country.

When they got sick, some people turned and became feeders on those around them, but most died. A few, like mom, dad, and grandpa, didn’t change. Afterward, mom and dad had me, and I was fine, so they hoped for a future if others had children too. And for a while, there’d been others in our city. Not many, but mom and dad would spot them as they scavenged while grandpa watched me. Then there were fewer… and finally none.

Tap––Tap––Tap––Tap––Tap

My grandpa, before he died, had cussed: “All went to hell in a handbasket.” I didn’t know what he meant by handbasket… maybe something like the canvas bag mom used to gather stuff in when she had foraged. Grandpa never answered questions anymore—he got that way the past year—and I didn’t ask him. Mom said his mind wandered, but sometimes his eyes would lose their muddy puddle look, and there’d be a glint, like metal, under the surface. Kind of like what I kept in my pocket to play with, using its shiny side to splash sunlight on the ground. Grandpa called it a campaign pin…, and mom remembered seeing them when she was younger. Just something I found with mom and him one day. I’d kicked a rock that had tumbled across the road and landed in a scooped-out hole that still held water from that morning’s rain. I looked in, and it was in a couple inches of water. When I took the metal disc out, and the sun was just right, I could make out the faded colors and the outline of a man’s head, soft chin with a pouch hanging under, and a swoop of hair that didn’t seem to fit the head. Beneath were letters—mom had taught me them—smudged away, and some I could barely read: M    K  E   A M   R I C    G R E A     A G A …N.

I had said something about it, and grandpa told me the man was probably a politician. He explained that those were supposed to be the leaders of a country like we’d once been. When I wiped the disc on my shirt, he’d held his knobby hand out to see. You’d think it was hot; he held it for just a second—I think he recognized the man—and threw it away. Grandpa cussed. Some naughty—mom says they are, and I shouldn’t use them—words. He had his eyes closed and fists clenched… he said the last, “sunavabitch… disgusting bastard,” under his breath and went inside shaking his head. I hopped fast to get the little saucer of metal. I can get around on one leg quicker than mom could with two. Not so much now, though; not getting around so good… but I’m still moving.

Tap–––Tap–––Tap–––Tap–––Tap                                                               

That made me think of how mom kept me from that place—she said had been a cabinet shop—at the corner of Caligari Street and the old graveyard road. Where I had been grabbed up when I was four. It’s been ten years, but I didn’t miss my left leg. Mom wouldn’t talk about that, but I know what they—the thing inside the shop—did with my leg. They eat and sleep until they’re hungry. My dad, the day when he got me out, and home for mom to stay and tend to me, turned back to go after it. He waited for that one the next time it came out. But didn’t expect the others—mom said they had only seen the one and thought him a loner as so many of them were—and they poured out and tore him to shreds. And I lost my dad.

Now mom’s sick, and I have to take care of her; took care of grandpa too, but he died. So I hunted alone and had to go further to find food. A couple of months ago, I spotted a giant building mom said must be ‘The Costco’ that sold all kinds of stuff. It’s a ways from home, and I have to pass that shop on Caligari Street. But that’s okay. They don’t come out in the sun anymore. Mom says they’re still changing. At night, they sure move around. In my nightmares, they’re out hunting—hungry—for the rest of me. During the day, they’re always in dark places… mostly inside. Like the one at Caligari Street—the watcher in the window—watching me every time I go by. Like that afternoon.

Tap––––Tap––––Tap––––Tap––––Tap

I had got to the Costco with plenty of time, I thought. I can climb pretty good with one leg… mostly. That metal thing—mom called them racks the one time she had come with me—was way up, three times my height. But that’s where the last of the cans of fruit was, and mom really, really liked peaches. I was up, cutting a box of them open and tossing the cans to the floor. Some got dented and would roll, but I’d gather them when I got down once I had enough to fill my bag. And my foot slipped.

At least I let go of the knife. Grandpa had fallen once with one in his hand and stabbed himself in the leg. I’d seen it. And when he fell, he had cussed and swore. When I’d asked him if he would be okay, he said, “Yes, but hurts like sin.” Well. I didn’t know what he meant. But that’s what I thought—drop the knife—before hitting the concrete. I landed on my foot, but it turned under me. I was pretty sure the pain in my ankle was that sin grandpa felt. I cried, but not much. Not like when my mom cried when dad died, her breath rattling and shoulders shaking until she saw me in the door of her room in grandpa’s house. She got in a last shudder and looked at me. “No more time for crying, Sarah. Right?” she had nodded to herself and got up. I never saw her cry again.

I lay on the floor for a second, holding my ankle. Then crawled to my crutch I’d left against the metal post and, with it under an arm, pushed up and put weight on my foot. I cried more and wobbled. But I thought of mom and grandpa… and my dad, though he was gone. They had been strong. I was too. So, I nodded, “Right. No more time for crying, mom.” I told myself, steadied, and bent to put four of the large cans in my bag, the one mom used to carry and moved toward the front. Time to go.

Tap–––––Tap–––––Tap–––––Tap–––––Tap––––––

It was a long way home. The rubber piece covering the tip of my crutch had dried, cracked, and dropped off, and the metal now tap… tap… tapped on the concrete. The increasing intervals marked my slowing pace. I didn’t cry anymore, but I chewed my lip bloody by the time I got near Caligari Street. Behind me, the sky was orange-red. The sun touched and then sank below the tops of buildings behind and surrounding me, casting long shadows over the street.

I was across from the shop and saw the watcher in the window. It quivered when it spotted me and shifted its eyes to gauge the lengthening darkness that had thickened and touched the window. As I inched along—crying again, I’m sorry, mom—the shadow climbed to cover the glass. Behind the bent-down blinds, the creature had disappeared.

I had just passed the window when it–the monster–came out of the door at the side of the building. Rushing at me, messed-up-hate-filled face and jagged teeth gnashing in the dusk. And I was so slow… too slow. I dropped my bag and pulled out the knife grandpa had given me. The thing was on me before I could think. After dad died, mom had always been ready if one came at us. I’d never faced one alone. I stabbed at the head, aimed for through an eye like my mom had taught me. But I missed and got bone, tearing a rip across its forehead. They still bleed some… grandpa had told me, but wounds hardly slow them.

My knife wasn’t big enough to chop a leg or two off; that’d serve him right. I skidded, catching myself from falling with a hand, but lost the knife. I stagger-hopped to one side, the creature missing me, which put me in the middle of the street with a single band of sunlight remaining. It—what had once been a man—slewed around and waited for me as the strip of light shrank. I took a deep breath, got my weight balanced on my leg, and brought the crutch up. Cocked like a baseball bat, like grandpa told me. I had only read about baseball, but I was going to swing as hard as I could and maybe crack its skull. Put the thing down… jump atop and finish the job because I’d never get away otherwise.

The darkness had gnawed the sunlight down to a ribbon, a sliver around me. Then the sun vanished. The thing lunged. I braced and swung my metal crutch, catching it on the head but caroming off as it reared with a gaping mouth to stab teeth at my throat. Behind me came a sharp crack, and the thing’s head exploded. Wiping brains and bits of bone from my face, I turned around. In the gloom, a man, a very big man—wearing clothes and carrying a gun, he must still have bullets—like I’d never seen, walked down the middle of the street toward me.

As he got close, he reached up to something attached to his chest, “Found a survivor… might be others, recommend full patrol to sweep the city.” he said into it. With a squelch from the little box, he let it drop back to rest high on his chest next to his left shoulder. He reached down to another box on his hip and pressed a button. It glowed and cast light over me. “It’s okay… you’re safe,” the man said.

I got my crutch under my arm and backed away from him. But grandpa thought someone surely had survived and would one day come to help. Mom—after dad died—had doubted; it’d been years, and she had nothing to believe left in her. I looked up at him, this man—the first human other than family I’d seen in years—so much bigger than dad and grandpa, “Who are you?” I asked. As he leaned forward, I saw a red and white patch on his arm near his shoulder. In the middle was a red leaf, like the ones mom said she and dad loved so much in autumn before they had come far south to grandpa’s, hoping to find a safer place than up north.

“I’m…” he paused. The thing on his chest squawked something, and he pressed it to squawk back, “copy that,” he told it and looked back up, “we’re Canadian. I’m sorry we took so long to work our way down here to help you.”

# # #

NOTE FROM DENNIS

I believe pictures can tell us stories—or are the seed of one—and I collect interesting ones from the public domain, those with a Creative Commons license, or I buy or license them for future use. One day I came across a photograph of an abandoned store. A close-up of its front door and windows with the old metal horizontal blinds bent down like when you don’t want to raise them to peek out. I thought… who’s inside looking out and added it to my collection. And one early October morning, during an election year political season, an answer to that question–the seed of this story–came to me while considering other Halloween story ideas. Over that morning’s coffee, I wrote the first two drafts. I polished it more into what you just read.

Side note: In the story, Caligari Street comes from a 1920s movie titled The Cabinet of Dr. Caligari, arguably ‘the first true horror film.’ And there is other symbolism from that movie, which depicts a brutal authority manipulating people to serve their agenda and weaken the fabric of character (society), that I hint at in this story.

THE FIRST WEREWOLF [Fiction]

A Satirical—Ironical—Origin Story


The Man in the Moon shone full and bright through the large bank of windows. At a long table of wood, discolored from the spills of countless nostrums and strewn with the implements of the alchemist—a dabbler in the dark—a man turned to look up at it. Its luminescence washed over his features, revealing their roundness. Other than a beard, barely a hair graced his head to break the near-perfect curve, a bit of a gleam from his pate as the rays through the glass draped him in the pale light.

The moon mocked him even more than the girls in the village. He learned to avoid them, but the moon was always there, and once each month, he felt its derision in fullness—as it was tonight.

Hating the lunar light, bitter but determined, he returned to his work. He was close.

The elixir he held—its formulation revealed in forbidden books he’d searched long for and found—would succeed where all the others had failed. He would have a luxuriant mane of hair that would draw the ladies to him. They would not resist the urge to run their hands through it and toy with his locks. The first exhibition, he was sure, would lead to fulfilling his fancies and other, darker fantasies.

Completed potion in hand, he glanced at the table at the ancient silver-framed circular *mirror found with the secret tomes. Carelessly angled, it captured the moon’s full visage through the windows. It drew his eyes to linger upon it… and he wondered at its purpose. He’d not deciphered parts of the books yet… the pages with the same glyphs as on that mirror’s frame. He’d get to that, but first… this… Shaking his head, he turned again to the window. Raising the vial—in more a challenge than a toast—he downed its contents in one swallow. The foul taste not enough to wipe the smirk off his face as he taunted the moon while standing bathed in its light.

It came on him and coursed through his veins, permeating the cells of his being. A strange tingle, almost an itch, crawled from the top of his head, blooming down to his toes. Touching his scalp where nubs of hair now grew, he could feel them lengthen beneath his palm. In another minute, he brushed his fingers through beautiful strands of hair that became fuller as they spread. They soon gave balance to his beard and proportion to his face—making him, dare he say it… “Quite handsome,” he laughed into the full-length mirror he had placed near the window.

His laughter faded at a strange tightening of his shirt and a hint of pain, like a cramp that promised to worsen. Buttons now pulled tight; he fumbled to release them. The exposed flesh was no longer smooth and white as milk nor hairless as his head had been. The skin had thickened, and dark, coarse hair sprouted. As he watched, it flourished across his stomach and into his trousers. His pants tightened, drawing up and pinching his nethers. The constriction too much; he ripped them off with furred hands and long fingers tipped with sharp nails. At the awful pain in his feet, he tore off his boots, and, now free of all binding cloth, he stood in the moonlight before the mirror.

His face distorted into an animal’s visage, teeth turned to fangs, and hairy ears twitched. He had scant time to think, “God, what have I done?” before the lust for blood and flesh triggered a flood of juices in his mouth. His ears caught the sound and nose, the scent of food—alive—in the village below.

Little did he know, as the mind of man gave way to the slavering beast, that the ladies of the town, mostly, thought him not ugly but a lout. A most unbecoming man. It was more about him than his head, they found distasteful.

With a howl that tailed from lament to a shriek of hunger, the first werewolf raced to feed.

# # #

*Author‘s Note: The Lupan Mirror appears again in two upcoming stories: OPERATION UNDEAD and The Best Halloween The Town Ever Had.

COVER CONCEPT 01 - OPERATION UNDEAD The OSS Vampire Files
Halloween 2024
COVER CONCEPT 01a- The Best Halloween The Town Ever Had by Dennis Lowery
Halloween 2024

THE WASTREL | A Story for Halloween

Folklore Reimagined & Retold for Halloween: How A Devil’s Agreement Became the Origin of the Jack-O-Lantern.

QUILL Folklore Reimagined Retold by Adducent and Dennis Lowery

Centuries ago, on All Hallows’ Eve (Halloween) a wastrel, a drunkard known as ‘Stingy Jack,’ wandered between towns and villages in Ireland. Calling none of them ‘home,’ Jack was known throughout the land as a deceiver and manipulator, claimed only by other dregs of society. On a fateful night, Satan overheard tales of Jack’s evil deeds. Unconvinced any man could or would do as the stories told and perhaps slightly envious of the rumors, the devil went to find out for himself.

Typical of Jack, he was half-drunk and wandering through the countryside one October night when he came upon a figure, a shadowed man-shape, on the cobblestone path. About to warn him off, the moonlight revealed an eerie grimace on a face that could only be Satan’s. Jack realized this was his end; the devil had finally come to collect his wicked soul. Jack made a last request, “Before ye take me to Hell, let me drink me fill of ale a last time.”

Finding no reason not to let him, Satan took Jack to the local pub, and upon quenching his thirst, Jack asked Satan to pay the tab. “I’ve neither a coin in my pocket nor to my name.” Jack eyed Satan. “But ye, Sir…. Ye can work a trick… with just a flick. Turn into a silver coin, and I’ll pay.” He winked at Satan. “After, ye can change back and join me outside. Then we be off….” He paused, then slyly added, “Ye knows I can’t outrun the devil.”

Satan transmogrified with a puff-stink of brimstone, leaving a silver coin that rang and spun on the bar top. With a smile, slipping away from the counter with practiced ease, Jack put Satan in his pocket, which also contained a little-used crucifix of poor metal found years ago and not worth selling. But the cross’s presence bound the devil to remain in his form.

Jack felt the coin toss and spin as he stepped out into the waning night. “Now, now… I’ll let ye go… but afore I do, we must agree.” His pocket stilled—Satan was listening—and he continued, “Spare me, me soul, for ten years… I’ll be content with that full measure of time.” The coin twitched twice; surely, that was the devil’s consent. He removed the coin and cross and held them in his large, dirty hand. Taking the crucifix in the other, he pocketed it away from the coin. Another pall of sulfur smoke clouded him, and a voice avowed: “I’ll come for you then.”

Ten years later to the date, on All Hallows’ Eve, as Jack staggered from a pub fingering the silvers he had lifted from the drunken sod in the corner, he ran full into a dark figure that blocked the way. Satan.

“Aye, it’s time, and ye have me.” Jack looked at the devil and moved to the side of the lane. “I’m ready for Hell,” he shook his head and then looked up at Satan. “But I’d sorely like just one apple,” he jerked a thumb at the nearby heavily laden tree, “for me starving belly afore we go.” At Satan’s nod, he went to the tree and shakily attempted to climb to reach the fruit. He slid and fell to the base of the trunk. “I’m afeared I’m too drunk,” he laughed, “to climb. Could ye help me, Sir?”

The impatience for Jack’s soul so great, foolishly Satan again agreed. As he climbed, Jack surrounded the base of the tree with all the crosses —gathered after the experience the decade before— he had taken to filling his pockets with. Confining, and confounding, the devil.

The tree shook, and apples fell. “Release me!” Satan thundered.

“I shall, Sir….” Jack looked up at the devil. “Swear that ye’ll never take me soul to Hell.”

Every apple in the tree—turned brown and rotting—was now on the ground. “Agreed.”

Jack bent to pick up the crosses and stepped away back into the middle of the lane. Satan disappeared with a scream of split timber and the stench of burning brimstone.

Eventually, the drinking took its toll on Jack; he died the way he had lived. Afterward, his soul prepared to enter Heaven through the gates of St. Peter but was stopped. Jack was denied because of his sinful life of deceitfulness and predatory abuse of others. Turned away from Heaven, Jack descended to the gates of Hell and begged for entry into the underworld.

But Satan, fulfilling his obligation to Jack, could not take his soul. But the soulless are his to command and to warn others; Satan gave Jack an ember, marking him as a denizen of the Netherworld doomed to roam restlessly for eternity. Bowing to his burden… to carry it, Jack placed the burning coal in a carved-out turnip, turning it into a lantern.

For those who sighted him in his eternal wanderings, Stingy Jack became known as ‘Jack of the Lantern,’ or Jack-O’Lantern, by the late 17th century. Making lamps from potatoes and beets became part of a fall harvest celebration. People also thought such lights warded off evil spirits. By the end of the 19th century, European immigrants in America switched their autumn carving tradition to pumpkins.

# # #

The Boy Who Got Away [Hybrid Creative Nonfiction-Fiction]

On Sunday mornings after chores, my two youngest daughters and I usually picked out a scary movie or maybe a science-fiction classic to watch. But for a while, it was Supernatural, a series I didn’t know but eventually ran for something like 15 seasons. Serious binge-watching bounty. On the show, Sam and Dean, the Winchester brothers, hunted and killed all kinds of ghosts, demons, and paranormal thingies. The series draws on myth and urban legend as the basis of the storylines. I enjoyed it as much as Alpha and Beta [not their actual names, my then 14-year-old twin daughters]. I worked on story notes one late October Sunday while they watched the series.

“Dad?”

I looked over at Alpha. “Yeah, honey.” It’s funny with twins. They often ask questions they seem to have reached a consensus on through some nonverbal means of communication. I looked up from my notepad to see them glance at each other and nod their heads like, ‘Go ahead, ask him.’

“What, girls?”

“Do you believe in…” Alpha used the remote control to point at the TV and pause the show, “ghosts and demons?”

I put my mechanical pencil down. [At that time, I handwrote story and scene notes with a Staedtler Graphite 771 or a Faber Castell Pearwood E-motion, now I use a reMarkable 2 eInk device.] Then set my lap desk on the ottoman by my chair. I turned to them both. “You know about what happened to me in Italy?” [Which became the basis of another story, The Ladies of Sorrows & Pain.]

Alpha nodded her head. Beta asked me, “But what about when you were a kid?”

“I can tell you about a boy and what happened to him. Want to hear?” They nodded, so I told them (improvising it as I went):

“The boy was always happiest outside and on his own. His family lived, barely above the poverty line, in the country on thirty acres of land. About two-thirds forest, the rest pasture, and a dying pond. It seemed all he did was work; there were always things to fix or repair when everything’s held together with baling wire, tape, and a prayer it lasted until money came in. When he had free time, late in the day, he would stuff a canteen of water (sometimes a can of Coke), a bag of beef jerky, a book, and a flashlight to read by once the sun started setting into a small backpack and disappear into a remote corner of the woods.

“One Halloween, he was in the farthest part where his family’s land ended and sloped toward the road leading to what he and his friends called The Point, but was Grey’s Landing on the lake.

“The sun was setting, and through clear patches, he could view the moon rising low in the sky behind the trees. Their tops rustled and moved in the crisp, chill wind that bent them away from the direction of home. He shined his light on his wristwatch. Seeing the time, he rose from the knee-high stump he’d been sitting on and headed that way along the path. As he stood, stretching and brushing off the seat of his pants, behind him came a baying. An ululation that stabbed the night [I had to stop to explain to Alpha and Beta what that word meant]. A call strong enough to beat through the wind’s gasp that flowed around tree trunks and through leaves to reach him. The beast’s lament, colder than the falling night air, sent shivers through him.

“The boy was halfway out of the woods when a second, closer howl came, accompanied by the sound of gnashing teeth and chattering of fangs. Now he ran through a dry autumn forest; sticks and branches snapped and cracked as he made his way. Ahead, a wail flowed down to him, followed by a third shriek behind him.

Whatever they were, he realized they were working together. He angled to his left off the trail, hoping to lose what hunted him, now running fast. Hitting limbs that didn’t break but snagged the hood of his sweater and tore long gashes in his face and neck, his forearms protected by long sleeves. His hands became scored and cut, trying to protect his face. Blood flowed in streaks.

“Gasping, the boy gripped a tree for a moment’s pause, hanging on to catch his breath. He ran on at the caterwaul behind him [had to stop and explain that word too] of beasts close on the scent of their prey.

“Clouds were building, and the wind picked up as he broke through onto the crest where trees ended and the pits began. Broad swaths of excavation and deep gouges made in the pasture; the source of fill dirt his father sold to local construction companies. He had to go down into and through them before climbing back up for the open stretch to his home.

“He sprinted, his lungs straining and heart pounding louder than the wind. There were no more cries as he slowed to listen. Off the upward slope that plateaued, he passed the set of gnarled pear trees atop the rise overlooking the pond. Only 1000 yards down, then up again to his home, sitting on the next hill. His thigh muscles twitched and jumped, and his gait became choppy. The impact of his feet as he planted them, a flat-footed, jarring jolt with each stride and a near-puke feeling in his throat. With leaden arms he could barely lift, he spat to the side and looked up at the house back-lit by the last blood-orange remnants of sundown. He could make it.

“Halfway there, he felt something almost on him. The snarl so close he smelled rank, rotted-meat breath. He looked over his shoulder. Its yellow eyes widened, and long teeth glinted in the moonlight as a taloned hand, thick with coarse black hair, reached for him. Claws dug into his flesh and turned him. Spun to the ground, a spray of saliva hit his face as the howl climbed to a scream. He rolled and got to his feet; his sweater and shirt ripped from his back. In his hand was the World War Two-era Oneida M1905 bayonet he had bought at a flea market and always carried into the woods. Just then, a sheet of icy rain swept over them….”

My daughters’ eyes had grown wide as I told the story. They became larger still when I stopped talking and waited.

“Dad…” they finally blinked, “what happens next? Did the boy die?”

I said nothing, leaned toward them, and pulled my t-shirt down, showing them my right shoulder and the scar that ran across it. “He got away.”

# # #


As a father, I’ve learned to keep my girls on their toes over the years. And I got away long ago… from where I was to undertake a transformative journey that led to love and the family I have today.

Give a listen to the following music video, a centuries-old song about transformation… and love.

PODCAST Discussion About ‘WINGS’

Being different does not mean ‘less than…’

In this podcast discover the magic of self-discovery and belonging in our latest episode featuring Dennis Lowery’s ‘WINGS.’ Dive into themes of hope and compassion as we explore the journey of finding one’s wings. Listen now!

Podcast audio

Written for a friend going through a difficult time, WINGS is a short story by Dennis Lowery about a man named Fánaí who finds a wounded fairy named Shayleigh in a mist-shrouded forest. Shayleigh has been ostracized by her people for not growing wings, and Fánaí helps her find a way to move on from her pain and find her own sense of purpose. The story explores themes of loss, finding meaning in life, and the importance of self-belief. Through Shayleigh’s journey, the author encourages readers to persevere in difficult times and to find happiness through pursuing their own dreams and desires.

Some of the reader comments:

“Just beautiful! I cried a few tears as I read this… Every time I think this author can’t write any better, he does. This story gave my wings a much-needed pick me up… I love that each story he writes, I find myself in it. This story is the perfect focus on the woman with kindness from the man, tragedy, pride, vulnerability, joy, and peace.” –Sarah Odendahl

“That was a beautiful story, and full of meaning. Sometimes, we need to stop and fill our minds and hearts with love and tenderness for life can be very hard.” –Kathryn Nokony

“Dennis, I just loved it, actually read it twice… Forgive me but I see romance in so much, and when she asked ‘What will you do with me?’ It’s not what you wrote, but the way you wrote it, that made it come alive. Also, when she said ‘You’re a man,’ all of “his” response was so well-written. I promise not to reveal too much of the story because I encourage everyone to read it — but when each character shared their story of pain and courage; different but yet familiar, and she said: ‘To fly…’ and stated her outcome so far. I had to take a break from the story; I felt tears running down my face because it became so real to me… The ending was surprising but great. What a great message in this story… Thank you for sharing your great gift with me. A great, compelling, short story… ‘Wings’ touched me deeply, your writing moves me!” –Bernice J.

“That is a really good read. I quite enjoyed it.” –Jocelyne Corbiere

“That’s a fantastic short story. My girls love fairy stories.” –Liz Moshier Echols

“Every time I read one of your stories I’m in awe! Keep ’em coming please.” –Regina Dollar Castleberry

“I love to read your stories, you take me right there.” –Jo Myers

“That was beautiful!” –Janet Mix

“This was gorgeous! My only regret is how short it was. That was beautiful, nice balance between the sounds and the tone! Very cool story as well!” –Macady Watson

“Love the story…” –B. Ambrose

“I love your stories, especially Wings. You’re a great writer!” –Lisa Fuller

“Great story! They will meet again!” –Susan Gabriel [And you never know… she may be right]

“Well-written and I would love to read more of your work in the future!” –Yannick Bretschneider

“Oh my gosh…I wish it would’ve been longer. It is a shame she went through all that. It also would have been so nice to get more backstory on both the man and her. But this story was absolutely flawless in my opinion.” –Luke Cooper

“This is such a unique story, and the words are so descriptive!” –ARS

“So beautiful. It had me in tears. But then, Dennis Lowery always seems to touch my heart with his words. I think this might be my favorite.” –Nina A.

“This story was beautiful!” –Alison Fu

“Incredible, and so moving!! Thank you for the beautiful story, Dennis.” –Linda Anani

“So beautiful. Almost brings a tear to my eye.” –Lisa Korn

“You soar, Dennis Lowery. One of my very favorites…” –Lena Kindo-Kamara

“Very nicely written. My favorite genre.” –Paul Wade

“I enjoyed reading Wings, definitely magical, Thank you for sharing. Now I want more. You’re an excellent writer” –Yolanda Ocasio

“I think this story sends a positive message to young people who are not happy with their bodies, or life situations. I enjoyed reading this short story, Dennis Lowery Thank you.” –Hazel Payne

“So beautiful…” –Sherry Thompson

“You know women so well… you have fulfilled your purpose.” –Renee McDaniel

“Magic. And even better you were able to write it so quickly.? You know the writing is so good that you can feel that you are in the story. That is one heck of a trick.” –Mike Trani

“Fabulous Dennis Lowery – truly enjoyed my morning read. Loved it.” –Diane Carolyn

[She quotes from the story] “Why do you go on then?’ ‘Because,’ and he smiled at her from the knowledge that only comes from experience, ‘Because, I deserve to find what I’m looking for.’ As we all do. Wonderful story Dennis Lowery.” –Samantha O’Brien

“Loved it.” –Robert Partridge

“It is beautiful!” –Claire Toffolo

“I love this part… ‘We fly highest and farthest then. That freedom… the feeling of our wings drinking in the wind, is what fairies long for.’ Truly beautiful, and so much feeling, Dennis Lowery.” –Margie Casados

The Ladies of Sorrows & Pain [Fiction]

Some haunted houses are deathly still and wait for you. Others contain souls that awake hungry and come looking.

SOME READER COMMENTS

“Fantastic story. Kind of in the O. Henry vein.” –Jim Zumwalt

“Wow! A spooky but awesome provenance…” –Fay Handstock, Great Britain

“As with all of your stories, once I started reading it, I couldn’t put it down til I finished.” –Regina Castleberry

“Well that story just gave me a lovely chill up the back of my neck. Perfect.” –Dan Syes

“If you haven’t read it, here’s another great story. I love it.” –Sarah Odendahl

“Like an unpardonable sin your words read so sweet. I like this very much; Very nicely written.” –Michael Koontz, Sweden

“Fantastic!!!! Love it. Really good and the chills went all the way to me in Norway.” –Sylvia Sotuyo

“This definitely was felt in Colorado, too. Intriguing and intense.” –Margie Casados


THE STORY…

Approaching from the sea, you witness traces of history in the fragments of carved stone and columns in 14th-century sandstone. Double lancet windows hint at a renaissance style, and other decorations adorn the crumbling portals of palaces once belonging to ruling families and princes.

It is a land of ancient city-states, morto e sepolto… the dead and gone. Remnants of forgotten and abandoned houses and estates sprinkle the countryside. Once thriving and vital, now no one lives in them, and the keening of the winds through the ruins is their only sound. Even in towns and cities that live, in almost all, there is a legend sometimes distorted far from its origin of a casa stregata… a haunted house. Some are deathly still, lonely cenotaphs, mere empty markers of a tragic past. Others contain souls that sleep awhile and awake… hungry.

Anime maledette bruciano…
eppure non emettono luce.
Una canzone di fiamme danzanti…
la loro musica geme nel vento.
Ascolta i lamenti
dalle donne dei dolori.
Le signore del dolore…

Cursed souls burn…

yet shed no light.

A song of dancing flames…

their music moans on the wind.

Listen to the cries

 from the women of the sorrows.

The ladies of the pain…

~ ~ ~

The ship cleared Portovenere, entered the gulf’s head, and approached Spèza, a small city on the Ligurian coast. Within two hours, its sailors invaded the town in clusters of two, three, or more. But one man, Jack, went alone; it was his way. He didn’t need companions and was used to being on his own; he had been for most of his life.

* * *

“They follow the ships.” The voice came from farther back in the shadows at the leaf-laden trees’ fringe where light ended and pitch-dark began.

“Excuse me?”

“You know,” the voice paused as the clouds in the night sky scudded to the north, disclosing a brilliant moon riding high above. In its light, a woman’s pale arm extended a long-fingered hand that pointed behind me. I turned toward several young men, my shipmates, who were surrounded and outnumbered by women at the outdoor bar under the street lights. “Those women,” the voice paused again, continued, “follow the ships.” The hand made a dismissive gesture and drew back into the dark of the moon’s shadow.

“Is that bad?” I asked, wondering how she’d sat so near without me noticing. A face came out of the darkness, like clouds parting to reveal a half-moon in a starless sky. Lovely. An almond-shaped eye under a sculpted brow, long lashes, and sharp lines of cheek and nose down to what must be a set of sweet lips.

“They’re not local.” The lips were a dark plum color in the dim light. Behind them, the pearl-glint edge of teeth. “They are not local,” she repeated as if an unpardonable sin, “they go from port to port.”

As she leaned forward, shifting in the chair, her face came into the light from the streetlamp. For that moment, she seemed plain, not unpleasant, but not beautiful. She sat back, and again only the moonlight graced her. That quick change in posture had revealed more. A blouse cut square and low in front. The fullness of breasts caught moonbeams and trapped them in the cleft between. They drew my eyes like the headlights of an oncoming car you knew had come over into your lane. My heart trip-hammered a double thump. Blinking away that second of fear and uncertainty, I thought she was exquisite. The woman you dream of or read about in stories and legends… who caused men to fight and die. Her eyes pored over me as she sat in the pale wash of a now clear full-moon-bright night. Stirred, my gaze moved to her lips and lingered. I wanted them on mine more than I needed my next breath. “You speak English well. Where did you learn?”

“During the war… we all did.”

I wasn’t clear on what that meant. What war… and what did she mean by we? Basics first, though. “What’s your name?”

“Nerezza.” I expected her to ask mine, but she said, “The night is sublime.” She gazed up at a moon that reflected in her eyes. “This,” and she flicked her hand toward the people at the bar and widened the gesture to encompass the streetlights, “is not the place to enjoy it.” She leaned forward, and her deep breath brought the arc of heavy breasts and crevice of cleavage into view. Her tongue swept those lips—eyes closed, she shivered—and their sheen beckoned. She sighed, “Will you come with me?” She stood, and the breeze strengthened, flattening her long, thin skirt against muscular calves and thighs; the swell of hips and curve of her ass distinct as she turned.

“Where?”

“A place,” she motioned toward the foothills to the north and east. Too dark to view now, but I’d seen them earlier on my ride. “About thirty kilometers from here.”

“Do you have a car?”

The glimmer again behind those lips. “No,” Nerezza smiled, “I travel differently.” She stepped away from the table and the lights. “You have this… yes?” she pointed to the Vespa P100 parked under a tree near us, which I’d rented after leaving my ship. At my nod, she walked over, pulled up her skirt with a flash of white thighs, and straddled it. Her legs extended, thigh muscles taut, to balance off its kickstand. I followed their lines from the ground to where they were palest under the moonlight. My eyes went to her chest—offered respects—and passed over those lips to her eyes. She locked on mine as she ran a hand over what I’d reviewed, following the same path my eyes had traveled. “Shall we go?”

I mounted in front, and her thighs clenched my hips. Her arms were around me, her breasts flattened on my back, and her hands splayed across my chest. The points of her fingernails dug through my shirt, and a primal scent came from her as I kicked the Vespa to life. Intended for city driving, the scooter would only do about 45kph, maybe less carrying two. We had a ride ahead of us, but I had time.

* * *

Nerezza’s directions brought us to where the hills grew into mountains. The Vespa’s feeble headlight shone through a gate onto a three-story structure several decades, if not a hundred years old. Cracks and creepers—thick twists of vines—ran up the sides of crumbling walls and overgrew the balconies. I shifted to ask her, “Is this it?” I doubted. She reached around me and turned the motor off, the headlight with it. My eyes adjusted to the dark. Different in the moon’s light, the old estate still seemed poorly maintained but wasn’t the ruin it had appeared at first. At the entry to the courtyard, she took a key from her pocket. She reached through the bars and turned the largest padlock I had ever seen around to face her. With a twist and click, she swung the rusted wrought-iron gate open.

“Here,” she signaled me to wheel the Vespa into the courtyard, holding the key, planning to lock up again once we were inside.

I eyed the wall and knew I could get over it. “I’ll leave it outside,” and pulled a coiled steel cable with two eye connectors and lock from one of the side pouches to secure the Vespa to the tree closest to the gate. “I don’t like having my ride where I can’t get going when I need to.”

Something flashed in her eyes: anger, derision, I wasn’t sure which. It vanished like that first glimpse of the house. So fast, I wasn’t sure it had happened. I walked through the gate and scanned the area and the enormous house. “What is this place?” I asked her as she locked it again.

“It’s been in my family for generations.” There was pride in her voice and something else, something unsaid. “My sisters, we… and others work and live here. Inside,” she nodded at the house, “it will be darker than you are used to. We use candles and oil lamps. It’s so much more… enchanting.” We walked on broken flagstones past beds of withered stalks and weeds. At a large circular fountain, she stopped and sat.

“Sit for a moment,” she patted the stone rim that encircled a basin with a surprising amount of water still within. Though the surface was covered with scum moss and bits of floating wood, the clear areas reflected the full moon. She turned her delicate face up. “I have something for you,” she said. Empty, long-nailed hands rested in her lap, then stroked her inner thighs.

I didn’t ask what; didn’t speak as I watched, and wanted to replace her fingers with mine. Something was going to happen; I knew it from that moment at the outdoor café. My skin burned and then chilled as she reached up and placed her hand high on my leg.

“Sit.”

As I did, the moon brightened. I could tell by her face alight with its beams. It drank in the rays as she smiled into them. The lips I’d seen as crisp red under streetlight were dark-rimmed now. Fangs grew in the moonlight, and her grip tightened on my thigh. She leaned to nuzzle at my neck, her voice muffled, “We have so much pleasure to bring you… once the pain is done.” Teeth sank into my neck, and the quickening of an orgasm began and soured in exquisite agony, and then… came darkness.

* * *

I shuddered and raised my watch; thirty minutes had passed. Still seated on the edge of the fountain, I touched my neck and felt the stickiness of drying blood. That did not bother me, but the piercing ache did. She had drawn something vital from me. I couldn’t hold my thoughts, couldn’t concentrate.

Nerezza took my bloody hand and said, “Come with me.” I followed. We entered the house. Just as she’d described, light danced from lanterns hung from the ceiling. As she took me through the foyer, circles of light-to-dark-to-light were everywhere. Music played, some classical piece, and there were voices. Entering a large room to the right, eight women lounged in a sitting room or parlor. Each, but one, was radiant and voluptuous, with long lustrous hair that ran from blonde to dark red to a thick ebony mass of hair on three, including Nerezza, next to me. A pale lady in a maroon gown off to one side also had dark hair but was a slighter build. Leaner with smaller breasts; apples compared to melons. But the stems, like the other ladies, were erect and prominent beneath thin, gauze-like dresses that covered them from shoulder to ankle.

“My sisters, Malvola,” she pointed to the largest of them, as big as me, with an intense, feral look about her. “And Chiara,” the smallest and seemingly youngest, nothing like her sisters except for the dark hair. And in bearing, nothing like the others in the room.

I sensed hunger emanate from them with their smiles of sharp teeth and red-tinged eyes full of rage or sorrow, tears unshed or that had cried too many. Chiara’s look was of abject loneliness. The kind I recognized buried deep inside even when you’re surrounded by others.

“In my room,” Nerezza pulled me toward the stairs, “we can be alone.” Her dark-wine lips twitched, showing that thin line of sharp teeth gleaming with a light of their own. “Away from the others.”

The stairs moaned with each step higher. A tall, clear window rose to the third floor at the turn and landing to go further up. The moon poured through, washing us with its pale beams. Smiling at me, Nerezza paused on the landing and pirouetted as if showering under the watery rays. She was the most alluring woman I had ever seen. I shivered.

Upstairs, the hallway was open to the floors below on one side but bound by a balustrade. I stared down at what appeared to be a small ballroom. At an even level, hanging from the high ceiling, there were three huge lanterns surrounded by six smaller ones. Each glowed with a golden lambent light of reddish tint. Six doors lined the side opposite the railing. At the end was a broad set of closed doors. Nerezza led me there and swung them open.

Inside the room was a central sitting area, lighted by clusters of candles on tables and sideboards, leather chairs, and a sofa facing a bank of windows. A set of French doors led onto a balcony that spanned the room. Stepping further in, the balcony overlooked a walled garden grown wild that had broken out and crept up the slope of the looming mountainside. Its thickets of tangled brambles resembled balls of barbed wire and concertina. A large bedroom was to the right of the sitting area; on the left were two smaller bedrooms. The room on the left, the inside one away from the outer balcony, had a massive dark wood door with thick metal hinges and a curious bar and lock arrangement on the outside. Walking over, I noticed it was ajar. Opening inside, I found gouges and rips in the wood. Stepping in, I ran my hands over them, feeling how ragged and deep they were, though they were still far from penetrating such a thick door. The metal bands that ran throughout the wood to strengthen it were also scratched and scored. Down at the bottom of the door were many smaller, shallower marks. Long scratches in the terrazzo floor and parallel grooves led from the door’s base to the massive bed in the corner.

Nerezza touched my neck, stroking it as she would a pet. “Malvola’s,” she said, leading me out and shutting the door. She passed the next door, the room closest to the balcony, without comment.

“Whose room is this?”

Her voice had the same disdain she’d used at the café. “Chiara’s.” On a table against the wall was an array of dusty bottles. “Cognac?” she asked me. My head was spinning; I should get out… run, but looking at her, I had no will to run away. She handed me a snifter with three fingers of amber liquid. With an odd compulsion, I made a gesture to offer the lady a drink first. Her smile broadened and showed the length and points of the teeth I’d felt earlier. “I do not drink… spirits.”

Without drinking, I set the glass on the table as Nerezza did something at her waist, and the skirt fell away. The moonlight from the window and the flickering candles played on alabaster skin. It defined the cords of muscle in her thighs and calves as she moved toward me. Slowly she unbuttoned her blouse, a curtain withdrawing from an elusive treasure. Recondite… then revealed before you. The sheer bra strained—straps dug into the flesh of her shoulders—and dark nipples stiffened. She moved closer and brushed against me. My hands twitched, left wanting, as she stepped away. In lace and flickering shadows, she crossed to the largest bedroom. I followed.

In the room there were fewer candles. Her face shrouded by the fall of raven hair that draped her shoulders, the smooth expanse of her chest a field to plant kisses. Two prominent dusky-tea-rose crested hills, and from the valley between—a teasing fragrance when she had been so close—a subtle perfume that wafted on the gentle wind from an open window that caressed our skin. Her hands cupped and offered soft round flesh to taste as she removed the last bits of cloth covering what I ached to bury myself in. Something drew me to look through the window at the sky. The scent of the moon’s beams, splendid in radiance, she, too, was exquisite in the night. Moonglow poured into the room, lapped, and flowed over the edges of the bed. The rustling of sheets, the most pleasant night sounds, was an inviting sigh of anticipation.

“Come,” she said, and her body beckoned. As I lay next to her, the tide of moonlight rose higher, and its ebb and flow ran through me as we rode satin-sheeted waves from there to eternity.

* * *

I awoke near sundown. I had been unconscious most of the day; what I’d experienced could not be called sleep. Nerezza had left me in the early hours of the falling moon, yet someone was in the room. The petite woman I’d seen the evening before stood in the shadow of the now-shuttered window.

“You must leave now!”

Groggily, I sat up and wished I hadn’t. The room reeled, and the emptiness inside me grew. I tried to stand and staggered. She caught me, her touch a static discharge that straightened me. Her eyes were not like the other ladies; they were as desolate in her pallid face but not threaded with skeins of scarlet or red-rimmed.

“You’re Chiara, right?”

“Yes. Hurry, Malvola is coming!” She gathered the length of her crimson gown in her arms.

“What?” I found my pants and pulled them on.

“She slept with Arianna last night. Nerezza was first with you… she is always first.” She bent, picked up something from the floor, and handed me my shirt. “It’s Malvola’s turn.”

I pulled my shirt on and searched for my boots. “Turn?”

“With you,” she kicked the shoes over, “hurry.”

“I can go over the balcony and get out that way,” I went over to the window.

Chiara glanced at me and away. “A long time ago, I climbed down to smell the roses that bloomed below my window at night.” She shook her head, and her eyes locked on mine, “No longer. There’s no way to make your way through. Others have tried. I must take you back the way you came in.” Her eyes filled with profound regret. “If I can.”

“What if you can’t?”

“You die,” she glanced through the door across to Malvola’s room, “in pieces.”

I followed her into the sitting room. The sunlight had faded, and the stirring of sounds and voices grew louder. A crazed cackle of laughter as lights came on and music played. The sound of steps on the stair announced someone as heavy as me coming back up. I heard their approach.

“We won’t make it,” Chiara warned me, “she’s here.”

Weak with bitter exhaustion, I didn’t reply, and she left my side to run to her room as a shadow filled the doorway.

“Have you the strength to play with me?” Malvola leered.

A splintering sound came from Chiara’s room, and I turned from Malvola to rush past her toward the balcony. Chiara came out holding an old double-barreled shotgun, 10- or 12-gauge, and a box of shells. The gun and box were ancient. The carton had gotten wet at some point; the cardboard still damp, smeared with old dirt and new dust. “Years ago, I kept this from a man they took,” she seemed contrite, “and hid inside a wall.” She handed me the gun and shells.

Malvola had entered the room but stopped in the center. “Half-sister or not, little bitch, I’ll settle with you afterward.”

I had broken the shotgun open over my knee and loaded two shells. It was stiff but loosened as I snapped it shut. “Can I kill her with this?” I leveled the gun at Malvola, who had taken a step closer.

“No, but you can slow her down, and maybe we can get by her.”

The blast rocked me back one step, but it blew Malvola three times that toward the door. For some crazy reason, that Lynyrd Skynyrd song, ‘give me three steps,’ played in my head. I braced and fired… boom again… and hit her square in center body mass again, obliterating her broad chest. As she staggered back through the doorway, the mangled flesh reformed but without cloth to cover it. I broke the gun open, reloaded, and followed. With both barrels this time. BOOM! I blew Malvola over the railing to crash two floors below.

Chiara grabbed my arm, pointing at the nine lanterns hanging from the ceiling. “There are eight you must hit.”

“What?”

“Shoot, destroy them, and it is a real death!”

I stepped closer to the balustrade and took aim, “Why only eight?”

“If you shoot that one,” she pointed at the closest large one. “I die!”

Click. Dammit… reload. Shit, only eight shells left! I shot the smaller lanterns first to clear them from shielding the three largest. A shriek from below accompanied each one. Glancing over the railing, Malvola was already moving, and Nerezza had joined her. Both headed for the stairs. I fired at the farthest big lantern—shattered it—and a scream raked my spine.

“That’s Malvola’s,” Chiara said behind me, “she’s gone.”

I lined up on the lantern that must be Nerezza’s. So focused I didn’t realize she was rushing toward us, a storm front about to break. She hit and drove me into the wall. Large chunks of plaster fell, but I held on to the shotgun and kept my feet. No time to aim, I whipped the gun up and fired. Missed, and no more shells. She grabbed me by the neck and pounded me into the wall like her hammer for a dozen nails. Twisting backward and lifting, she threw me over the banister.

Far enough for me to grab one of the remaining lanterns. Chiara’s. As I dangled, trying to get a better grip, another shriek—its bite, razor blade cuts in my ears—undulated. Chiara had jumped on Nerezza’s back, who ripped at her arms, legs, and face. She tore away ribbons of flesh from Chiara; that anguish showed in her bloody grimace. I brought my legs up and kicked at Nerezza’s lantern. It loosened. Kick. Kick and kick again. Chiara’s wobbled. One more kick would bring either one or both down. I darted a glance at Chiara.

“Do it,” she screamed, and with more strength in her slight frame than I could comprehend, she lifted Nerezza and threw her over the railing. I kicked again, and the second large lantern dropped free. Nerezza was rising as it crashed down, driving her to the floor. Her lamp—its glass shattered, housing bent, and the light extinguished—lay beside a now still body. A second later, Chiara’s came loose, and I fell. Cradling it and turning, I hit hard but on something other than the floor. Still, the ribs on my right side flexed, and one, maybe, two, broke with a stabbing pain. With a gasp, I got to my feet with Chiara’s lantern intact in my arms, and something semi-soft moved under me. I had landed on Nerezza… across her chest. A hug from behind made my ribs spasm.

“Chiara!” She held me tight as I turned and studied her, wincing at the sight of the flayed skin of her face. “Are you okay?”

“I will be. I’m not like my sisters. I don’t feed like them—never like them—and don’t heal as fast.”

“Why me?”

“The local men are old; the young move away,” On my face, she must have seen the question remained. “You can feed on the young ones longer,” she said in a quiet voice and let go of me to step away.

“No… why did you help me?”

“It’s been too long,” her face tilted up to mine. “The pain… the suffering… we had no right to take ours and inflict it on others just to live,” she spat. “As if this curse… was any kind of life.” She came closer again and touched my face, a soft brush of fingers. And though I hadn’t realized, there were tears she wiped away.

“What happens now?”

“You will go.”

“I mean with you.”

“I’ll die,” she pointed at Nerezza, whose body was crumbling, “like them.”

“I’ll stay with you as long as I can.” She smiled at me as if I had given her a great gift, and I realized what natural beauty was.

* * *

It was time, and she walked me through the courtyard. At the gate, she stopped and handed me the key taken from Nerezza’s body. I unlocked the padlock, threw it and the key as far as possible into the nearby tangled field, and grabbed her hand. But she wouldn’t move.

“I can’t.”

“Please, Chiara!”

“Out there, the hunger will be stronger—and I can’t—won’t become what my sisters were.”

“You’ll die.”

“Yes,” and there was no sadness in her eyes, “that’s as it should be.”

“I can’t leave. There must be something. There–”

“Is nothing out there for me,” she cried. “Go!”

I wanted to touch and hold her. I reached for her.

“Go,” she screamed again and ran toward the house and was quickly hidden from sight in the darkness of its decaying walls.

The moon was low in the sky, but I climbed the wall and unchained my Vespa. I had to be back onboard my ship in two hours and barely had time.

* * *

The sputtering sound returned with the dawn. It entered the courtyard, and the engine cut off. Moments later, she heard his steps on the stair. Chiara met him at the door.

“Why did you come back?”

Her wounds had healed, and she’d dressed. “How long can you live with just me?” he asked.

“What… what do you mean?”

“If I give you… me, my soul. How long can you live?”

“You can’t do tha–”

“You said I was young and strong. I am. So yes… I can. How long?”

“Months, maybe a year. I don’t know.”

“Then we’ll have that.”

“What about after?”

* * *

Onboard the long gray ship, the executive officer approached the captain with a clipboard in his hand. “Muster complete, Captain, one man missing.”

“Who. What division?”

“OI,” he tapped a line on the sheet marked Operations Intelligence.

The captain studied the man’s name with regret. “Never would’ve thought he’d go UA. Any police report?”

“No, sir.”

“Well, advise the embassy we have a man missing. An Unauthorized Absence. Send details from his personnel file and have the Master at Arms secure his personal possessions.”

“Aye, sir.”

“XO?”

“Yes, sir?”

“I recall he doesn’t have any family, right?”

“Correct, sir. No family.”

The captain shook his head. “Set the sea and anchor detail; we sail on time.”

“Yes, sir.”

* * *

He checked his watch; his ship must be leaving now. That sense of duty—the obligation—driving a vestige of need to return to his past faded as Chiara took his hand. With her, he knew he would never be alone again. The sky had passed from ashen with purple tints, shading to crimson, then saffron to birth-of-morning cerulean. It was daybreak, and soon they would sleep. And so it would be, day in and day out—they would go on—until he was spent. And then they would rest together forever.

* * *

LATER…

The house had stood empty for decades—alone and untouched—decaying as things built by Man are wont to do when uninhabited. No one knew who owned it nor cared. The voices and rumors of missing men had kept even the brave away. Then that stopped, and stone by stone, the ruins were cleared, taken by locals no longer afraid, and used for building materials. The site became as overgrown as the surrounding land except in one spot. A small square of land at the base of the sloping mountain with a patch of perfect grass and a single rose bush at its center. Each year, in season, two roses bloomed to die and flourish again.

# # #

The Story Behind the Story from Dennis Lowery

One of my followers/readers on social media (Sarah) posted a photo of a purportedly haunted house and asked: “Would any of you spend the night in that house?” And that made me think of an experience I had….

Many years ago I was in northern Italy. Night had fallen, and I sat at an outdoor café drinking wine and getting buzzed when a voice behind me said: “They follow the ships.….”

I turned, and it was a woman. The scene I describe in the story about what she said in disdain about the other woman, how she looked—oh, how she looked; I can still remember—and her invitation… is (was then) real. I was half drunk from the wine, then even more on how she looked at me. We climbed on my rented Vespa, and I followed her directions miles out of town until she motioned me to take a side road that ended at the entrance of an old house (as depicted in the story). Pulling the gate open, we entered a large courtyard and sat at an old fountain for a while…

She told me the house had been a brothel, abandoned for years but believed haunted. And about what she called the ‘ladies of the sorrows and pain’ who worked there. We walked to the front entry, and she stepped inside and beckoned. I saw what had once been a beautiful foyer and grand stairway. I walked to it and took six or seven steps up. Each one moaned… creeping the shit out of me. I turned to look for the girl to see if she was following, and she wasn’t there. My back turned to the higher steps, and something or someone ran an icy hand down the back of my neck and across my shoulder. A caress. I jumped down the steps and headed out the door.

Outside, I looked for the girl but never saw her again.

I got on my Vespa and headed back to town. At the café where I’d been drinking, I asked about the place and learned it had been a brothel that catered to Nazi officers in World War II and then switched to welcome Americans as they kicked out the Nazis. One night in October 1948, someone killed all nine women working there. The bartender talked about the many men that had gone missing in that area since 1949.

That dormant memory stuck in my mind for years, and Sarah’s question woke it. And so, a story was born.

KASS 12 ‘The Nancy & Rick Show’ Discusses THE BARGAINS BELOW

The short fiction story THE BARGAINS BELOW is discussed on ‘The Nancy & Rick Show.’ NOTE: This is created as raw audio (10.09 minutes) without editing or interlude for the commercial break.

Author Note 10/3/2024: After this audio, in the story I made a protagonist name change to Kathy (from Laurie) to prevent confusion–during future discussion–with mention of my last name.Dennis Lowery

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