Home Blog Page 4

PODCAST Discussion About ‘WINGS’

Being different does not mean ‘less than…’

In this podcast discover the magic of self-discovery and belonging in our latest episode featuring Dennis Lowery’s ‘WINGS.’ Dive into themes of hope and compassion as we explore the journey of finding one’s wings. Listen now!

Podcast audio

Written for a friend going through a difficult time, WINGS is a short story by Dennis Lowery about a man named Fánaí who finds a wounded fairy named Shayleigh in a mist-shrouded forest. Shayleigh has been ostracized by her people for not growing wings, and Fánaí helps her find a way to move on from her pain and find her own sense of purpose. The story explores themes of loss, finding meaning in life, and the importance of self-belief. Through Shayleigh’s journey, the author encourages readers to persevere in difficult times and to find happiness through pursuing their own dreams and desires.

Some of the reader comments:

“Just beautiful! I cried a few tears as I read this… Every time I think this author can’t write any better, he does. This story gave my wings a much-needed pick me up… I love that each story he writes, I find myself in it. This story is the perfect focus on the woman with kindness from the man, tragedy, pride, vulnerability, joy, and peace.” –Sarah Odendahl

“That was a beautiful story, and full of meaning. Sometimes, we need to stop and fill our minds and hearts with love and tenderness for life can be very hard.” –Kathryn Nokony

“Dennis, I just loved it, actually read it twice… Forgive me but I see romance in so much, and when she asked ‘What will you do with me?’ It’s not what you wrote, but the way you wrote it, that made it come alive. Also, when she said ‘You’re a man,’ all of “his” response was so well-written. I promise not to reveal too much of the story because I encourage everyone to read it — but when each character shared their story of pain and courage; different but yet familiar, and she said: ‘To fly…’ and stated her outcome so far. I had to take a break from the story; I felt tears running down my face because it became so real to me… The ending was surprising but great. What a great message in this story… Thank you for sharing your great gift with me. A great, compelling, short story… ‘Wings’ touched me deeply, your writing moves me!” –Bernice J.

“That is a really good read. I quite enjoyed it.” –Jocelyne Corbiere

“That’s a fantastic short story. My girls love fairy stories.” –Liz Moshier Echols

“Every time I read one of your stories I’m in awe! Keep ’em coming please.” –Regina Dollar Castleberry

“I love to read your stories, you take me right there.” –Jo Myers

“That was beautiful!” –Janet Mix

“This was gorgeous! My only regret is how short it was. That was beautiful, nice balance between the sounds and the tone! Very cool story as well!” –Macady Watson

“Love the story…” –B. Ambrose

“I love your stories, especially Wings. You’re a great writer!” –Lisa Fuller

“Great story! They will meet again!” –Susan Gabriel [And you never know… she may be right]

“Well-written and I would love to read more of your work in the future!” –Yannick Bretschneider

“Oh my gosh…I wish it would’ve been longer. It is a shame she went through all that. It also would have been so nice to get more backstory on both the man and her. But this story was absolutely flawless in my opinion.” –Luke Cooper

“This is such a unique story, and the words are so descriptive!” –ARS

“So beautiful. It had me in tears. But then, Dennis Lowery always seems to touch my heart with his words. I think this might be my favorite.” –Nina A.

“This story was beautiful!” –Alison Fu

“Incredible, and so moving!! Thank you for the beautiful story, Dennis.” –Linda Anani

“So beautiful. Almost brings a tear to my eye.” –Lisa Korn

“You soar, Dennis Lowery. One of my very favorites…” –Lena Kindo-Kamara

“Very nicely written. My favorite genre.” –Paul Wade

“I enjoyed reading Wings, definitely magical, Thank you for sharing. Now I want more. You’re an excellent writer” –Yolanda Ocasio

“I think this story sends a positive message to young people who are not happy with their bodies, or life situations. I enjoyed reading this short story, Dennis Lowery Thank you.” –Hazel Payne

“So beautiful…” –Sherry Thompson

“You know women so well… you have fulfilled your purpose.” –Renee McDaniel

“Magic. And even better you were able to write it so quickly.? You know the writing is so good that you can feel that you are in the story. That is one heck of a trick.” –Mike Trani

“Fabulous Dennis Lowery – truly enjoyed my morning read. Loved it.” –Diane Carolyn

[She quotes from the story] “Why do you go on then?’ ‘Because,’ and he smiled at her from the knowledge that only comes from experience, ‘Because, I deserve to find what I’m looking for.’ As we all do. Wonderful story Dennis Lowery.” –Samantha O’Brien

“Loved it.” –Robert Partridge

“It is beautiful!” –Claire Toffolo

“I love this part… ‘We fly highest and farthest then. That freedom… the feeling of our wings drinking in the wind, is what fairies long for.’ Truly beautiful, and so much feeling, Dennis Lowery.” –Margie Casados

The Ladies of Sorrows & Pain [Fiction]

Some haunted houses are deathly still and wait for you. Others contain souls that awake hungry and come looking.

SOME READER COMMENTS

“Fantastic story. Kind of in the O. Henry vein.” –Jim Zumwalt

“Wow! A spooky but awesome provenance…” –Fay Handstock, Great Britain

“As with all of your stories, once I started reading it, I couldn’t put it down til I finished.” –Regina Castleberry

“Well that story just gave me a lovely chill up the back of my neck. Perfect.” –Dan Syes

“If you haven’t read it, here’s another great story. I love it.” –Sarah Odendahl

“Like an unpardonable sin your words read so sweet. I like this very much; Very nicely written.” –Michael Koontz, Sweden

“Fantastic!!!! Love it. Really good and the chills went all the way to me in Norway.” –Sylvia Sotuyo

“This definitely was felt in Colorado, too. Intriguing and intense.” –Margie Casados


THE STORY…

Approaching from the sea, you witness traces of history in the fragments of carved stone and columns in 14th-century sandstone. Double lancet windows hint at a renaissance style, and other decorations adorn the crumbling portals of palaces once belonging to ruling families and princes.

It is a land of ancient city-states, morto e sepolto… the dead and gone. Remnants of forgotten and abandoned houses and estates sprinkle the countryside. Once thriving and vital, now no one lives in them, and the keening of the winds through the ruins is their only sound. Even in towns and cities that live, in almost all, there is a legend sometimes distorted far from its origin of a casa stregata… a haunted house. Some are deathly still, lonely cenotaphs, mere empty markers of a tragic past. Others contain souls that sleep awhile and awake… hungry.

Anime maledette bruciano…
eppure non emettono luce.
Una canzone di fiamme danzanti…
la loro musica geme nel vento.
Ascolta i lamenti
dalle donne dei dolori.
Le signore del dolore…

Cursed souls burn…

yet shed no light.

A song of dancing flames…

their music moans on the wind.

Listen to the cries

 from the women of the sorrows.

The ladies of the pain…

~ ~ ~

The ship cleared Portovenere, entered the gulf’s head, and approached Spèza, a small city on the Ligurian coast. Within two hours, its sailors invaded the town in clusters of two, three, or more. But one man, Jack, went alone; it was his way. He didn’t need companions and was used to being on his own; he had been for most of his life.

* * *

“They follow the ships.” The voice came from farther back in the shadows at the leaf-laden trees’ fringe where light ended and pitch-dark began.

“Excuse me?”

“You know,” the voice paused as the clouds in the night sky scudded to the north, disclosing a brilliant moon riding high above. In its light, a woman’s pale arm extended a long-fingered hand that pointed behind me. I turned toward several young men, my shipmates, who were surrounded and outnumbered by women at the outdoor bar under the street lights. “Those women,” the voice paused again, continued, “follow the ships.” The hand made a dismissive gesture and drew back into the dark of the moon’s shadow.

“Is that bad?” I asked, wondering how she’d sat so near without me noticing. A face came out of the darkness, like clouds parting to reveal a half-moon in a starless sky. Lovely. An almond-shaped eye under a sculpted brow, long lashes, and sharp lines of cheek and nose down to what must be a set of sweet lips.

“They’re not local.” The lips were a dark plum color in the dim light. Behind them, the pearl-glint edge of teeth. “They are not local,” she repeated as if an unpardonable sin, “they go from port to port.”

As she leaned forward, shifting in the chair, her face came into the light from the streetlamp. For that moment, she seemed plain, not unpleasant, but not beautiful. She sat back, and again only the moonlight graced her. That quick change in posture had revealed more. A blouse cut square and low in front. The fullness of breasts caught moonbeams and trapped them in the cleft between. They drew my eyes like the headlights of an oncoming car you knew had come over into your lane. My heart trip-hammered a double thump. Blinking away that second of fear and uncertainty, I thought she was exquisite. The woman you dream of or read about in stories and legends… who caused men to fight and die. Her eyes pored over me as she sat in the pale wash of a now clear full-moon-bright night. Stirred, my gaze moved to her lips and lingered. I wanted them on mine more than I needed my next breath. “You speak English well. Where did you learn?”

“During the war… we all did.”

I wasn’t clear on what that meant. What war… and what did she mean by we? Basics first, though. “What’s your name?”

“Nerezza.” I expected her to ask mine, but she said, “The night is sublime.” She gazed up at a moon that reflected in her eyes. “This,” and she flicked her hand toward the people at the bar and widened the gesture to encompass the streetlights, “is not the place to enjoy it.” She leaned forward, and her deep breath brought the arc of heavy breasts and crevice of cleavage into view. Her tongue swept those lips—eyes closed, she shivered—and their sheen beckoned. She sighed, “Will you come with me?” She stood, and the breeze strengthened, flattening her long, thin skirt against muscular calves and thighs; the swell of hips and curve of her ass distinct as she turned.

“Where?”

“A place,” she motioned toward the foothills to the north and east. Too dark to view now, but I’d seen them earlier on my ride. “About thirty kilometers from here.”

“Do you have a car?”

The glimmer again behind those lips. “No,” Nerezza smiled, “I travel differently.” She stepped away from the table and the lights. “You have this… yes?” she pointed to the Vespa P100 parked under a tree near us, which I’d rented after leaving my ship. At my nod, she walked over, pulled up her skirt with a flash of white thighs, and straddled it. Her legs extended, thigh muscles taut, to balance off its kickstand. I followed their lines from the ground to where they were palest under the moonlight. My eyes went to her chest—offered respects—and passed over those lips to her eyes. She locked on mine as she ran a hand over what I’d reviewed, following the same path my eyes had traveled. “Shall we go?”

I mounted in front, and her thighs clenched my hips. Her arms were around me, her breasts flattened on my back, and her hands splayed across my chest. The points of her fingernails dug through my shirt, and a primal scent came from her as I kicked the Vespa to life. Intended for city driving, the scooter would only do about 45kph, maybe less carrying two. We had a ride ahead of us, but I had time.

* * *

Nerezza’s directions brought us to where the hills grew into mountains. The Vespa’s feeble headlight shone through a gate onto a three-story structure several decades, if not a hundred years old. Cracks and creepers—thick twists of vines—ran up the sides of crumbling walls and overgrew the balconies. I shifted to ask her, “Is this it?” I doubted. She reached around me and turned the motor off, the headlight with it. My eyes adjusted to the dark. Different in the moon’s light, the old estate still seemed poorly maintained but wasn’t the ruin it had appeared at first. At the entry to the courtyard, she took a key from her pocket. She reached through the bars and turned the largest padlock I had ever seen around to face her. With a twist and click, she swung the rusted wrought-iron gate open.

“Here,” she signaled me to wheel the Vespa into the courtyard, holding the key, planning to lock up again once we were inside.

I eyed the wall and knew I could get over it. “I’ll leave it outside,” and pulled a coiled steel cable with two eye connectors and lock from one of the side pouches to secure the Vespa to the tree closest to the gate. “I don’t like having my ride where I can’t get going when I need to.”

Something flashed in her eyes: anger, derision, I wasn’t sure which. It vanished like that first glimpse of the house. So fast, I wasn’t sure it had happened. I walked through the gate and scanned the area and the enormous house. “What is this place?” I asked her as she locked it again.

“It’s been in my family for generations.” There was pride in her voice and something else, something unsaid. “My sisters, we… and others work and live here. Inside,” she nodded at the house, “it will be darker than you are used to. We use candles and oil lamps. It’s so much more… enchanting.” We walked on broken flagstones past beds of withered stalks and weeds. At a large circular fountain, she stopped and sat.

“Sit for a moment,” she patted the stone rim that encircled a basin with a surprising amount of water still within. Though the surface was covered with scum moss and bits of floating wood, the clear areas reflected the full moon. She turned her delicate face up. “I have something for you,” she said. Empty, long-nailed hands rested in her lap, then stroked her inner thighs.

I didn’t ask what; didn’t speak as I watched, and wanted to replace her fingers with mine. Something was going to happen; I knew it from that moment at the outdoor café. My skin burned and then chilled as she reached up and placed her hand high on my leg.

“Sit.”

As I did, the moon brightened. I could tell by her face alight with its beams. It drank in the rays as she smiled into them. The lips I’d seen as crisp red under streetlight were dark-rimmed now. Fangs grew in the moonlight, and her grip tightened on my thigh. She leaned to nuzzle at my neck, her voice muffled, “We have so much pleasure to bring you… once the pain is done.” Teeth sank into my neck, and the quickening of an orgasm began and soured in exquisite agony, and then… came darkness.

* * *

I shuddered and raised my watch; thirty minutes had passed. Still seated on the edge of the fountain, I touched my neck and felt the stickiness of drying blood. That did not bother me, but the piercing ache did. She had drawn something vital from me. I couldn’t hold my thoughts, couldn’t concentrate.

Nerezza took my bloody hand and said, “Come with me.” I followed. We entered the house. Just as she’d described, light danced from lanterns hung from the ceiling. As she took me through the foyer, circles of light-to-dark-to-light were everywhere. Music played, some classical piece, and there were voices. Entering a large room to the right, eight women lounged in a sitting room or parlor. Each, but one, was radiant and voluptuous, with long lustrous hair that ran from blonde to dark red to a thick ebony mass of hair on three, including Nerezza, next to me. A pale lady in a maroon gown off to one side also had dark hair but was a slighter build. Leaner with smaller breasts; apples compared to melons. But the stems, like the other ladies, were erect and prominent beneath thin, gauze-like dresses that covered them from shoulder to ankle.

“My sisters, Malvola,” she pointed to the largest of them, as big as me, with an intense, feral look about her. “And Chiara,” the smallest and seemingly youngest, nothing like her sisters except for the dark hair. And in bearing, nothing like the others in the room.

I sensed hunger emanate from them with their smiles of sharp teeth and red-tinged eyes full of rage or sorrow, tears unshed or that had cried too many. Chiara’s look was of abject loneliness. The kind I recognized buried deep inside even when you’re surrounded by others.

“In my room,” Nerezza pulled me toward the stairs, “we can be alone.” Her dark-wine lips twitched, showing that thin line of sharp teeth gleaming with a light of their own. “Away from the others.”

The stairs moaned with each step higher. A tall, clear window rose to the third floor at the turn and landing to go further up. The moon poured through, washing us with its pale beams. Smiling at me, Nerezza paused on the landing and pirouetted as if showering under the watery rays. She was the most alluring woman I had ever seen. I shivered.

Upstairs, the hallway was open to the floors below on one side but bound by a balustrade. I stared down at what appeared to be a small ballroom. At an even level, hanging from the high ceiling, there were three huge lanterns surrounded by six smaller ones. Each glowed with a golden lambent light of reddish tint. Six doors lined the side opposite the railing. At the end was a broad set of closed doors. Nerezza led me there and swung them open.

Inside the room was a central sitting area, lighted by clusters of candles on tables and sideboards, leather chairs, and a sofa facing a bank of windows. A set of French doors led onto a balcony that spanned the room. Stepping further in, the balcony overlooked a walled garden grown wild that had broken out and crept up the slope of the looming mountainside. Its thickets of tangled brambles resembled balls of barbed wire and concertina. A large bedroom was to the right of the sitting area; on the left were two smaller bedrooms. The room on the left, the inside one away from the outer balcony, had a massive dark wood door with thick metal hinges and a curious bar and lock arrangement on the outside. Walking over, I noticed it was ajar. Opening inside, I found gouges and rips in the wood. Stepping in, I ran my hands over them, feeling how ragged and deep they were, though they were still far from penetrating such a thick door. The metal bands that ran throughout the wood to strengthen it were also scratched and scored. Down at the bottom of the door were many smaller, shallower marks. Long scratches in the terrazzo floor and parallel grooves led from the door’s base to the massive bed in the corner.

Nerezza touched my neck, stroking it as she would a pet. “Malvola’s,” she said, leading me out and shutting the door. She passed the next door, the room closest to the balcony, without comment.

“Whose room is this?”

Her voice had the same disdain she’d used at the café. “Chiara’s.” On a table against the wall was an array of dusty bottles. “Cognac?” she asked me. My head was spinning; I should get out… run, but looking at her, I had no will to run away. She handed me a snifter with three fingers of amber liquid. With an odd compulsion, I made a gesture to offer the lady a drink first. Her smile broadened and showed the length and points of the teeth I’d felt earlier. “I do not drink… spirits.”

Without drinking, I set the glass on the table as Nerezza did something at her waist, and the skirt fell away. The moonlight from the window and the flickering candles played on alabaster skin. It defined the cords of muscle in her thighs and calves as she moved toward me. Slowly she unbuttoned her blouse, a curtain withdrawing from an elusive treasure. Recondite… then revealed before you. The sheer bra strained—straps dug into the flesh of her shoulders—and dark nipples stiffened. She moved closer and brushed against me. My hands twitched, left wanting, as she stepped away. In lace and flickering shadows, she crossed to the largest bedroom. I followed.

In the room there were fewer candles. Her face shrouded by the fall of raven hair that draped her shoulders, the smooth expanse of her chest a field to plant kisses. Two prominent dusky-tea-rose crested hills, and from the valley between—a teasing fragrance when she had been so close—a subtle perfume that wafted on the gentle wind from an open window that caressed our skin. Her hands cupped and offered soft round flesh to taste as she removed the last bits of cloth covering what I ached to bury myself in. Something drew me to look through the window at the sky. The scent of the moon’s beams, splendid in radiance, she, too, was exquisite in the night. Moonglow poured into the room, lapped, and flowed over the edges of the bed. The rustling of sheets, the most pleasant night sounds, was an inviting sigh of anticipation.

“Come,” she said, and her body beckoned. As I lay next to her, the tide of moonlight rose higher, and its ebb and flow ran through me as we rode satin-sheeted waves from there to eternity.

* * *

I awoke near sundown. I had been unconscious most of the day; what I’d experienced could not be called sleep. Nerezza had left me in the early hours of the falling moon, yet someone was in the room. The petite woman I’d seen the evening before stood in the shadow of the now-shuttered window.

“You must leave now!”

Groggily, I sat up and wished I hadn’t. The room reeled, and the emptiness inside me grew. I tried to stand and staggered. She caught me, her touch a static discharge that straightened me. Her eyes were not like the other ladies; they were as desolate in her pallid face but not threaded with skeins of scarlet or red-rimmed.

“You’re Chiara, right?”

“Yes. Hurry, Malvola is coming!” She gathered the length of her crimson gown in her arms.

“What?” I found my pants and pulled them on.

“She slept with Arianna last night. Nerezza was first with you… she is always first.” She bent, picked up something from the floor, and handed me my shirt. “It’s Malvola’s turn.”

I pulled my shirt on and searched for my boots. “Turn?”

“With you,” she kicked the shoes over, “hurry.”

“I can go over the balcony and get out that way,” I went over to the window.

Chiara glanced at me and away. “A long time ago, I climbed down to smell the roses that bloomed below my window at night.” She shook her head, and her eyes locked on mine, “No longer. There’s no way to make your way through. Others have tried. I must take you back the way you came in.” Her eyes filled with profound regret. “If I can.”

“What if you can’t?”

“You die,” she glanced through the door across to Malvola’s room, “in pieces.”

I followed her into the sitting room. The sunlight had faded, and the stirring of sounds and voices grew louder. A crazed cackle of laughter as lights came on and music played. The sound of steps on the stair announced someone as heavy as me coming back up. I heard their approach.

“We won’t make it,” Chiara warned me, “she’s here.”

Weak with bitter exhaustion, I didn’t reply, and she left my side to run to her room as a shadow filled the doorway.

“Have you the strength to play with me?” Malvola leered.

A splintering sound came from Chiara’s room, and I turned from Malvola to rush past her toward the balcony. Chiara came out holding an old double-barreled shotgun, 10- or 12-gauge, and a box of shells. The gun and box were ancient. The carton had gotten wet at some point; the cardboard still damp, smeared with old dirt and new dust. “Years ago, I kept this from a man they took,” she seemed contrite, “and hid inside a wall.” She handed me the gun and shells.

Malvola had entered the room but stopped in the center. “Half-sister or not, little bitch, I’ll settle with you afterward.”

I had broken the shotgun open over my knee and loaded two shells. It was stiff but loosened as I snapped it shut. “Can I kill her with this?” I leveled the gun at Malvola, who had taken a step closer.

“No, but you can slow her down, and maybe we can get by her.”

The blast rocked me back one step, but it blew Malvola three times that toward the door. For some crazy reason, that Lynyrd Skynyrd song, ‘give me three steps,’ played in my head. I braced and fired… boom again… and hit her square in center body mass again, obliterating her broad chest. As she staggered back through the doorway, the mangled flesh reformed but without cloth to cover it. I broke the gun open, reloaded, and followed. With both barrels this time. BOOM! I blew Malvola over the railing to crash two floors below.

Chiara grabbed my arm, pointing at the nine lanterns hanging from the ceiling. “There are eight you must hit.”

“What?”

“Shoot, destroy them, and it is a real death!”

I stepped closer to the balustrade and took aim, “Why only eight?”

“If you shoot that one,” she pointed at the closest large one. “I die!”

Click. Dammit… reload. Shit, only eight shells left! I shot the smaller lanterns first to clear them from shielding the three largest. A shriek from below accompanied each one. Glancing over the railing, Malvola was already moving, and Nerezza had joined her. Both headed for the stairs. I fired at the farthest big lantern—shattered it—and a scream raked my spine.

“That’s Malvola’s,” Chiara said behind me, “she’s gone.”

I lined up on the lantern that must be Nerezza’s. So focused I didn’t realize she was rushing toward us, a storm front about to break. She hit and drove me into the wall. Large chunks of plaster fell, but I held on to the shotgun and kept my feet. No time to aim, I whipped the gun up and fired. Missed, and no more shells. She grabbed me by the neck and pounded me into the wall like her hammer for a dozen nails. Twisting backward and lifting, she threw me over the banister.

Far enough for me to grab one of the remaining lanterns. Chiara’s. As I dangled, trying to get a better grip, another shriek—its bite, razor blade cuts in my ears—undulated. Chiara had jumped on Nerezza’s back, who ripped at her arms, legs, and face. She tore away ribbons of flesh from Chiara; that anguish showed in her bloody grimace. I brought my legs up and kicked at Nerezza’s lantern. It loosened. Kick. Kick and kick again. Chiara’s wobbled. One more kick would bring either one or both down. I darted a glance at Chiara.

“Do it,” she screamed, and with more strength in her slight frame than I could comprehend, she lifted Nerezza and threw her over the railing. I kicked again, and the second large lantern dropped free. Nerezza was rising as it crashed down, driving her to the floor. Her lamp—its glass shattered, housing bent, and the light extinguished—lay beside a now still body. A second later, Chiara’s came loose, and I fell. Cradling it and turning, I hit hard but on something other than the floor. Still, the ribs on my right side flexed, and one, maybe, two, broke with a stabbing pain. With a gasp, I got to my feet with Chiara’s lantern intact in my arms, and something semi-soft moved under me. I had landed on Nerezza… across her chest. A hug from behind made my ribs spasm.

“Chiara!” She held me tight as I turned and studied her, wincing at the sight of the flayed skin of her face. “Are you okay?”

“I will be. I’m not like my sisters. I don’t feed like them—never like them—and don’t heal as fast.”

“Why me?”

“The local men are old; the young move away,” On my face, she must have seen the question remained. “You can feed on the young ones longer,” she said in a quiet voice and let go of me to step away.

“No… why did you help me?”

“It’s been too long,” her face tilted up to mine. “The pain… the suffering… we had no right to take ours and inflict it on others just to live,” she spat. “As if this curse… was any kind of life.” She came closer again and touched my face, a soft brush of fingers. And though I hadn’t realized, there were tears she wiped away.

“What happens now?”

“You will go.”

“I mean with you.”

“I’ll die,” she pointed at Nerezza, whose body was crumbling, “like them.”

“I’ll stay with you as long as I can.” She smiled at me as if I had given her a great gift, and I realized what natural beauty was.

* * *

It was time, and she walked me through the courtyard. At the gate, she stopped and handed me the key taken from Nerezza’s body. I unlocked the padlock, threw it and the key as far as possible into the nearby tangled field, and grabbed her hand. But she wouldn’t move.

“I can’t.”

“Please, Chiara!”

“Out there, the hunger will be stronger—and I can’t—won’t become what my sisters were.”

“You’ll die.”

“Yes,” and there was no sadness in her eyes, “that’s as it should be.”

“I can’t leave. There must be something. There–”

“Is nothing out there for me,” she cried. “Go!”

I wanted to touch and hold her. I reached for her.

“Go,” she screamed again and ran toward the house and was quickly hidden from sight in the darkness of its decaying walls.

The moon was low in the sky, but I climbed the wall and unchained my Vespa. I had to be back onboard my ship in two hours and barely had time.

* * *

The sputtering sound returned with the dawn. It entered the courtyard, and the engine cut off. Moments later, she heard his steps on the stair. Chiara met him at the door.

“Why did you come back?”

Her wounds had healed, and she’d dressed. “How long can you live with just me?” he asked.

“What… what do you mean?”

“If I give you… me, my soul. How long can you live?”

“You can’t do tha–”

“You said I was young and strong. I am. So yes… I can. How long?”

“Months, maybe a year. I don’t know.”

“Then we’ll have that.”

“What about after?”

* * *

Onboard the long gray ship, the executive officer approached the captain with a clipboard in his hand. “Muster complete, Captain, one man missing.”

“Who. What division?”

“OI,” he tapped a line on the sheet marked Operations Intelligence.

The captain studied the man’s name with regret. “Never would’ve thought he’d go UA. Any police report?”

“No, sir.”

“Well, advise the embassy we have a man missing. An Unauthorized Absence. Send details from his personnel file and have the Master at Arms secure his personal possessions.”

“Aye, sir.”

“XO?”

“Yes, sir?”

“I recall he doesn’t have any family, right?”

“Correct, sir. No family.”

The captain shook his head. “Set the sea and anchor detail; we sail on time.”

“Yes, sir.”

* * *

He checked his watch; his ship must be leaving now. That sense of duty—the obligation—driving a vestige of need to return to his past faded as Chiara took his hand. With her, he knew he would never be alone again. The sky had passed from ashen with purple tints, shading to crimson, then saffron to birth-of-morning cerulean. It was daybreak, and soon they would sleep. And so it would be, day in and day out—they would go on—until he was spent. And then they would rest together forever.

* * *

LATER…

The house had stood empty for decades—alone and untouched—decaying as things built by Man are wont to do when uninhabited. No one knew who owned it nor cared. The voices and rumors of missing men had kept even the brave away. Then that stopped, and stone by stone, the ruins were cleared, taken by locals no longer afraid, and used for building materials. The site became as overgrown as the surrounding land except in one spot. A small square of land at the base of the sloping mountain with a patch of perfect grass and a single rose bush at its center. Each year, in season, two roses bloomed to die and flourish again.

# # #

The Story Behind the Story from Dennis Lowery

One of my followers/readers on social media (Sarah) posted a photo of a purportedly haunted house and asked: “Would any of you spend the night in that house?” And that made me think of an experience I had….

Many years ago I was in northern Italy. Night had fallen, and I sat at an outdoor café drinking wine and getting buzzed when a voice behind me said: “They follow the ships.….”

I turned, and it was a woman. The scene I describe in the story about what she said in disdain about the other woman, how she looked—oh, how she looked; I can still remember—and her invitation… is (was then) real. I was half drunk from the wine, then even more on how she looked at me. We climbed on my rented Vespa, and I followed her directions miles out of town until she motioned me to take a side road that ended at the entrance of an old house (as depicted in the story). Pulling the gate open, we entered a large courtyard and sat at an old fountain for a while…

She told me the house had been a brothel, abandoned for years but believed haunted. And about what she called the ‘ladies of the sorrows and pain’ who worked there. We walked to the front entry, and she stepped inside and beckoned. I saw what had once been a beautiful foyer and grand stairway. I walked to it and took six or seven steps up. Each one moaned… creeping the shit out of me. I turned to look for the girl to see if she was following, and she wasn’t there. My back turned to the higher steps, and something or someone ran an icy hand down the back of my neck and across my shoulder. A caress. I jumped down the steps and headed out the door.

Outside, I looked for the girl but never saw her again.

I got on my Vespa and headed back to town. At the café where I’d been drinking, I asked about the place and learned it had been a brothel that catered to Nazi officers in World War II and then switched to welcome Americans as they kicked out the Nazis. One night in October 1948, someone killed all nine women working there. The bartender talked about the many men that had gone missing in that area since 1949.

That dormant memory stuck in my mind for years, and Sarah’s question woke it. And so, a story was born.

KASS 12 ‘The Nancy & Rick Show’ Discusses THE BARGAINS BELOW

The short fiction story THE BARGAINS BELOW is discussed on ‘The Nancy & Rick Show.’ NOTE: This is created as raw audio (10.09 minutes) without editing or interlude for the commercial break.

Author Note 10/3/2024: After this audio, in the story I made a protagonist name change to Kathy (from Laurie) to prevent confusion–during future discussion–with mention of my last name.Dennis Lowery

Listen to the audio:

Created using NotebookLM Generative Audio.

The Girl Who Haunted Dreams [Creative Nonfiction]

When your eyes met hers, she looked deeper into you than you could ever see into her.


One autumn morning, I had selected my morning brew when Spooky by the Classics IV played. “Great songs on my Pandora shuffle this morning!” I told Alpha and Beta, who were at the kitchen table eating their cereal. Beta was mad at me for making her wear something other than a black Batman t-shirt. I sat across from them with my coffee and turned the volume down on the Jambox speaker as the song ended on my phone.

“I was 17, and in 11th grade, the year the new girl came to my high school.”

Alpha looked up at me, but Beta didn’t.

“She was in the same grade, and I had English and World History with her. She was pretty, slender with straight honey-blonde hair, blue-eyed, but quiet. I guess that was to be expected… being new to my school and all.”

I could tell Beta was trying not to listen.

“After about a month—early October—she seemed friendlier but still not outgoing. She had an air about her… the way she moved and carried herself. She didn’t seem awkward being at a new school and around unfamiliar people. Just quiet. Sometimes she’d be in the parking lot after school. Snow flurries—winter came early that year—in the air as she stood and stared at people. When your eyes met hers, she looked deeper into you than you could ever see into her. One of my friends, Josh, talked about asking her on a date. And he did. I had to work at Piggly Wiggly the Friday night he went out with her. So, I didn’t spot him and her as I would when guys and girls made the rounds where we all hung out and cruised down Central Avenue from Burger Shef all the way downtown to the fountain in front of the Arlington and back.”

I got up for more coffee and leaned against the counter. Alpha’s eyes followed me, but Beta’s didn’t.

“I worked that Saturday and Sunday, too, and didn’t see Josh over the weekend. Monday at school, he wasn’t there. That’s when I found out he hadn’t come home Friday night.”

Beta now had her head turned toward me.

“The police came to school to talk to his friends, me included, and they walked the girl to the counselor’s office. That day after school, I stopped to check on Josh’s parents, who were freaking out. It was now three days, and no one could find Josh. More days passed… then a week.” I took a drink of coffee. “We never saw Josh again.”

Beta was definitely listening.

 “One of my other friends told me he, too, had asked the girl out. I shook my head at him. The girl had talked to no one about Josh going missing after their date. She didn’t seem to care. It was—she seemed—weird. At school, she had the same manner… quiet, watching people, sometimes with a smirk on her face. ‘You’re crazy, man.’ I told him. But she was with Alex that night. Later, after the game, I heard they had headed to West Mountain—a favorite make-out spot—to park and overlook the lights of Bathhouse Row and the illuminated fountain in front of the Arlington.”

Beta turned more toward me.

 “The next day, early Saturday morning, the phone rang, and no one answered. This was long before cell phones, and some people still didn’t have telephones in more than one room. We had a single phone on the desk next to the kitchen across from my bedroom. The only room on that side of the house. It kept ringing, and I got up and answered. ‘Alex didn’t come home last night,’ my friend Rob said. ‘His dad called my dad to ask if I’d seen him!’ I hung up, dressed, and left. A group of us searched all over Garland County.

“Monday came, and no one had seen or heard from Alex. The police were at school again, talking with me, all my friends, teachers and others… and the girl. My friend Beth was working her way down the hall, spreading the news that an FBI agent from Little Rock was with them, and they were speaking with the girl.”

Beta was attentive. She and Alpha had stopped eating.

 “Another week went by, and Josh and Alex still hadn’t turned up. My friends and I couldn’t believe it. We lived in a small town. Nothing like this had ever happened. The girl still came to school. No one talked to her. No one wanted to be around her. I know that sounds mean, but something about her bothered me and others. She stared at people too long, too much, rarely talked, and sometimes from nowhere came a half-grin on her face. Like a joke was in play for her enjoyment or some secret she kept that amused her.

 “One morning, as the halls cleared for first period, I turned from my locker to see she was walking toward me. Books clasped to her chest and that half-smile on her face. She stopped in front of me and brushed a long, straight lock of hair from her face. ‘Would you like to go out with me?’ The fingers left her hair and pulled at her bottom lip.

 “I stuttered, ‘I have to get to class… talk to you later.’ But I didn’t and made sure I kept on the move. Away from wherever she was for the rest of the day.”

 I went over to the table and leaned down, my elbows on it between Alpha and Beta, and continued.

 “That evening—Halloween—I was about to go out when my mother opened the front door to call out before I got in my car. ‘Dennis, phone…’ I went back in. Mom whispered and smiled; her hand cupped over the phone’s mouthpiece. ‘It’s a girl.’

 “I took the phone and waited for her to step away, which she did. Slowly. ‘Hello?’

 “I recognized the slight lisp, THE girl. She asked, ‘Would you like to go with me to a movie?’ I gripped the phone and couldn’t speak. Her breathing got heavier in the dead air on the line. ‘Alex,’ she said, and there was a thrashing, choking noise in the background, ‘finally gave me your phone number.’”

 Beta and Alpha looked wide-eyed as I paused and held the moment. “Dad…” Alpha poked my arm. “Are you making this up?”

I studied her and Beta for a heartbeat, giving it a good pause, and grinned. “Yep.”

 Beta shouted. “I knew it!”

 I smiled and patted her shoulder. “But I made you forget being mad.” I straightened and walked away, singing… “She called me up and asked if I’d like to go with her and see a movie….”

THE BARGAINS BELOW [Fiction]

A little horror humor….


Nahanni, Maine

Kathy Pace had followed the roadside signs: FALL SALES FOR NEWCOMERS. Maybe targeted for the Leaf-Watchers, she thought. She had read about visitors that traveled through the state end of September through the end of October to witness the autumnal turn of color before November’s winds stripped the trees bare as they braced for winter.   

The savings are worth the crowds, Kathy rationalized as she entered the mall from the second parking garage level. Hundreds of shoppers moved about, some solo, some with friends, wives with husbands carrying bags, and some displaying frowns and ‘I don’t wanna be here’ expressions. Kathy looked forward to shopping, checking out the sales, grabbing some new books to read, and returning to their new apartment to unload the rest of the U-Haul with Sam. They both needed real winter clothes, and she needed her decorations to prepare for the holidays.

A big-city Southern girl, new to the town—new to New England—she was surprised at finding a mall in such a rural setting. Located just the other side of an extensive memorial park called Winding Grove or something, she thought, that formed an arched northern border for the small town. Maybe the Native American casino, located the next county over, had something to do with it. As Kathy neared making an entire circuit of the second floor—her recon Sam called it—she came to a Down escalator. Floating on two red balloons—tied at the upper corners—rising from the well of the escalator was a sign with bold lettering that stated: The Newcomer Bargains are Below.

Kathy studied the other shoppers, moving past her or onto the Up escalator a few steps beyond the Down. She glanced below, where the balloons were tethered, at a swirl of colors. Somewhere down there, close enough to reach this high, must be some carousel-mounted Kaleidoscope projector to shower the space with a rainbow spectrum. The noise below was distinct enough to announce someone having a great time. The newcomers, she wondered.

That feeling came over her. The pleasant prospect of finding something on sale she wanted. A dopamine-fueled tingle that power shopping always gave her. “Let’s check this out,” Kathy murmured. As the escalator went down and down, her surroundings grew darker. An eddying drift of chilled air penetrated her too-light jacket and prickled the flesh on her arms. She gripped the rails.

Gray light showed below. Finally, coming to the first floor, Kathy thought. She saw someone near the foot of the escalator as she passed from the darkness into a pale light. The slender figure in an ankle-length, stained-ivory-color dress and long black hair that shrouded the lighter oval of a face proved to be a young lady, maybe in her late teens or early 20s.

The girl—Frida, stated on her askew nametag—smiled glossily. Red lipstick prominent against pallid flesh, so different from Kathy’s dusky skin. As the girl’s smile broadened, the lights behind her bloomed, revealing a bright corridor leading to an open, festive area filled with the sound of bustling consumers. “Welcome to the Super Shoppers area; This is where you’ll find the best bargains,” the girl greeted her. Frida’s bright eyes gleamed at Kathy through a drape of dark hair.

She has a kind of goth thing going on, Kathy thought. But then some people got into Halloween—a few days away—and never moved on, like those who leave their Christmas tree up well into January. “What kind of markdowns?” Kathy asked, relaxing a little but also perking up in anticipation of the sales.

“Oh,” Frida’s lambent orbs widened beneath lank locks, “very deep… everything is slashed.” Her white arm raised, beckoning, “Please, follow me.”

Halfway down the connecting passageway, Kathy glanced back to see the darkness—a bank of lights shut down in series, marching into total black—had closed in behind them. Gesturing over her shoulder, “Something’s wrong with your lights.” The girl kept a few steps ahead, not replying or slowing, walking into the now-dying light ahead of her. The chill’s bite deepened as Kathy paused, seeing her breath cloud as she called out, “I think I’ll come back later,” she half-turned and stopped when the girl spoke.

“But we have things,” Frida walked back to her, “to die for!” She grabbed Kathy’s arm.

“Hey… let go!” Kathy tried to yank free.

The girl squeezed harder; her fingernails sharpened and dug in.

“I said let go….” Kathy repeated, twisted, and staggered as the girl jerked her forward, low heels sliding on the smooth concrete.

“We all chop down here!” Frida’s screech cleaved like a butcher’s blade through bone. Behind her, the once joyful noises had soured into a gluttonous cacophony.

“Let…,” Kathy managed with one hand to reach into her purse for anything sharp, “me go, bitch!” She found a solid rectangle with an edge. Clutching the plastic in her fist, she swiped it at the girl’s forearm, slicing into flesh that blackened with a whiff—a coil of smoke rising—from burning skin. The girl’s shriek echoed, and her grip loosened and re-clenched, sinking deep.

The herd sound of a horde surging—as if after the last 4K 85-inch flat-screen for $800 off—filled the hallway. People, a lot of them, were coming their way. The odor of rancid milk, loose bowels, and putrid flesh filled Kathy’s nostrils. So strong that a puke thermometer-climbed inside her throat, a mouthful she choked back down. She swiped again. The girl—garish, white-faced with champing fangs on blood-frothed lips that framed a gaping maw—released her with a ghoul’s cry. The taloned hand arced up to rake Kathy’s cheek, gouging bloody furrows.

Kathy turned and ran into the dark, hands and shoulders scraping the rough walls as she ricocheted back the way she had come. The stench and skin-crawl sensation that claws and jagged teeth were only a foot from her made the bile rise again in her throat. She spat it out. The shopping tingle turned to tinkle that leaked down her legs as she ran. Her heavy mascara ran from tears she hadn’t realized she had shed. She lost one shoe, and the other came loose… clop-clopping on the concrete, its beat matching the thud of her heart until it kicked off and spun into the darkness ahead of her.

She squinted up. Ahead and above was a lighted opening. Kathy could barely see the steps of the Down escalator she had just ridden, moving—moving—moving but carrying no one. To the left were concrete steps. As she scrambled up them, a hand grabbed the back of her jacket, long nails piercing it, and her sleeveless black t-shirt to find soft flesh. With a tearing and pinch-rip of skin, Kathy pulled free—leaving the jacket behind—and shot ahead of what shambled behind her. Unable to see anything, she climbed, reaching a barrier that sealed off the stairs. Looking back at how close they were, Kathy slammed into the metal sheet covering that capped off the stairs. It did not shift; she wasn’t moving it from her way.

Kathy turned to face downward. Below her, halfway up the stairs, was a cluster of Morlock eyes and pale, ravenous faces. Instead of a deal, she found the undead. The group stopped just short of the opening to the Down escalator. Beneath them, on the steps, the concrete showed hardened crimson blotches. She had nowhere to go.

Panting, Kathy knew she had only one choice. Back down the stairs, over the rail, onto the Down escalator, and run up as it descended. She stared at the thin piece of plastic in her hand. The girl—Frida’s—flesh had burned and blackened at its touch. Holding it before her, a Lady Van Helsing brandishing her religious icon, she went down the steps. Lips writhed on the dozen creatures below her as they emitted guttural growls. But they didn’t back away until she was two steps above them and almost even with the opening.

Kathy thrust the fist-held plastic at them, and as they flinched, she stepped down and drove-pushed off her left leg to sprawl over the separating rail and fall onto the escalator. Facing downward, on knees and hands, it carried her back into the darkness below. And there, the gleam of eyes and teeth had grown. They waited for her. She pivoted to face up, got to her feet, and sprinted. Legs pumping and heaving—fighting—up the descending steps.

She stagger-crawled, gasping onto the second floor with a bloodied head, makeup-smeared face, shredded t-shirt, peed-in pants torn at the knees, and the remains of her breakfast on her chin and chest. None of the shoppers walking by stopped. “What kind of crazy Stephen-fucking-King town is this?” she screamed. No one looked at her. Turning from them, she spotted the Parking Level II sign with the arrow pointing the way. Kathy followed it, wiping her face with her hands. The phone buzzed in her pocket a half second before the ringtone. Smearing what had come from her nose and mouth on her pants, she pulled it out. “Sam!”

“Hi, Honey, I’m ready to unload the U-Haul.”

“Don’t!” she cried. Looking at the black rectangle she still carried in her other hand, coated with some greenish-red viscid mucus already drying on the plastic, covering the lower part of the Costco Executive Member Card. She’d need to get a new one.

“What is it, Honey!”

“I’m not living in this town,” she ran toward her car, “and God, as my witness, I’ll never go to a mall again.”

Minutes later, tires squealing, she sped out of the garage on the access road to merge onto the highway. A bitter North wind had picked up strength, and the trees—even the thick old-timers—lining the road bent and swayed. The gnarled limbs of the ancient oak shifted in the gusts, revealing and then obscuring the lettering of the sign Kathy had seen earlier:

W I N D I G O   G R O V E.

# # #

A Note from Dennis:

The Wendigo (or Windigo; it has several spellings) is a *First Nations legend of a cannibalistic monster purportedly created by the greed and selfishness of Man. The creature—usually the oldest in a region—can also possess humans, turning them into monsters.

Nahanni (the fictitious setting for the story) is a place-name–a location–with its own haunting myths and legends. Check out its lore.

This brief story is not an admonition against shopping. It’s a cautionary tale—one to keep in mind—if you’re somewhere new, unfamiliar, or seeking something… and someone or some sign says they or it will lead you to what you want. Be careful, very careful. It’s dangerous out there.

*First Nations are indigenous peoples—ethnic groups—who are the earliest known inhabitants of an area.

A Time When It Was Fast [FlashFiction]

A flashfiction scene based on the above photo.

“Nothing behind me, everything ahead of me, as is ever so on the road.”–Jack Kerouac

EVERY PICTURE TELLS A STORY from Dennis Lowery (black)

Pleased her son had found it, the white-haired woman regretted it had sat there for years. Neglected. Forgotten. Still… there was a time when it was fast.

She closed her eyes.

With his heavy foot on the gas… oh, how it had made their hearts race. With each clutch and shift, his thigh rubbed hers, a sensual frisson. Freed by a necker’s knob, his brawny arm around her shoulders had held her tight. His fingers grazed the arc of her breast as they leaned in the curves and thundered down the highway. It didn’t matter where the road was going as long as they were together.

“Why are you smiling, Grandma?”

She turned to the young woman, her questioning look framed by a squint that drew the freckles—she had long ago told her were angel kisses—closer. “Katie, this was your grandfather’s first car.”

The girl looked at the car and then back. “I miss him.”

“I do too, dear. With all my heart.” Wind whipping her silver locks into a tangle, she placed her palm over a now wizened chest. “But he’s still inside.”

Katie hugged her tight, and the old woman felt those young arms—and her husband’s love—hold her. She let her go and watched as her granddaughter parted the dense thicket of tall grass and weeds to stand next to the once-abandoned car, touched, and patted its fender.

“I feel him with us, Grandma!” Brighter than the afternoon sun, Katie’s smile spread that dusting of speckles.

“I know, honey… I do, too.” And she knew he always would be.

EVERY PICTURE TELLS A STORY (tagline black)

Good Dog, Bad Man…

Sometimes the images create the words… sometimes the words create the images.

“This one made my heart hurt a little.” –Dawn Jackson

One of Those–Hot Texas–Nights [Creative Nonfiction]

We’ve ghostwritten and co-written nine memoirs and helped edit and publish over a dozen. We’re often asked about the difference between nonfiction and creative nonfiction. As a good writer understands… it’s best to ‘show’ not ‘tell,’ so here’s a creative nonfiction vignette–one in a series of stories–written by Dennis Lowery for his daughters (that others have enjoyed).

Some of the reader comments:

“Music often equals ‘moments’ for me. These little flashback memories that make me smile as I am driving, or working or just sharing with my kids. I think those are life’s soundtrack moments. Love that you share with your kids and the rest of us.” —Dawn Jackson

“It’s beautiful and important, making memories with those you love. Everything Dennis writes is just…. special, different, brilliant! You must be so aware of every moment, that you are able to tell about it in such great detail. You paint pictures with your words. Full color with sound and smell! Every time, it’s like I’m there! I love your writing” –Nina Anthonijsz

“Lowery writes really, really well.” –Kevyne Shandris

“Beautiful story…” –Lefti K.

“I had forgotten that I listened to this song often in my childhood. It is nice to hear it again. That you wrote a story around the song is truly amazing. You just keep proving, over and over again, what a talented writer you are. Keep it going. Hope to see more.” –Brenda Church



I sang along as I made notes in my planner at the kitchen table with Alpha and Beta (my two youngest daughters—twins—but not their real names), who were finishing their breakfast. “Dad, is this song a 10?” Alpha asked.

Sipping my coffee, I nodded as I set my cup down. Now, it’s hard for a song (or anything) to get a 10 from me. And for a song or album to earn that… it has to be great and tied to a particular memory. So, some fantastic songs end up as favorites, but only 9s. Alpha and Beta grill me on those songs that are 10s. And I always pause—to build a sense of expectation—and think about how to describe the experience that made the song a 10. Seeing the expectant look on their faces, I smiled.

“It is. I love this… it’s my favorite by the Eagles. And I remember the first time I heard it when I was around your age.” I finished my coffee and motioned for them to clear the table.

“In June 1975, I was fifteen years old—not much younger than you now—and worked at an antique store (more of an antique barn) close to my home, down Highway 7 South in Lake Hamilton. The owners had been there for years and did quite the business with tourists and visitors, especially during racing season (thoroughbreds) in Hot Springs at Oaklawn. I still remember how I got hired. When I met with the owner and his wife (a couple in their early 60s but hard to judge since anyone over 40 seemed ancient back then), they had just received a small flatbed-trailer load of marble sheets. I learned they would cut down, shape, and fit the marble as table, vanity, or countertops on wooden frames and furniture for resale. As she left us, Ann Davis told her husband to wait to unload the trailer until he could get someone to help or, better yet, someone to do it for him.

“I wanted the job, so I unloaded the trailer instead of standing there talking to him. ‘Where do these go, Mr. Davis?’ I asked, and he motioned for me to follow him. I was strong and could carry a sheet myself. The slabs were about 2 feet wide, 4 feet long, and an inch thick; each weighed around 100 pounds. I weighed maybe a solid 155. I unloaded the ten slabs and walked them about 40 feet into the work area, where he had his saws and wet-sanders. Returning outside, he watched me without saying a word. I came back out after the last one, soaked with sweat, and pulled my t-shirt up to wipe my face. ‘Ann,’ he hollered toward his house, which was nearby—I had seen his wife moving around behind the kitchen window. She stuck her head out. ‘Get this boy a co-cola.’ Back then, she brought me a Coke with a pull-off-tab style can. You always cussed when you stepped barefoot on the tab some idiot had dropped on the ground instead of throwing it in the trash. I put the tab from the can in my pocket, drank the Coke in three gulps, and had to smother a belch. Mr. Davis took a five-dollar bill out of his wallet, gave it to me, and said: ‘You’re hired.’

“I learned to cut and polish marble that summer and to trace and carve designs in wood used for tabletops and fill with different grain wood-putty. Sanded down and refinished, they were elegant, beautiful. They’d take a table bought for $5 or $10, fix any shaky legs, put a new top on it, and sell it for anywhere from $50 to $100+. One week, the hottest one of that summer so far, Mr. Davis asked me to help him at an antique and flea market event the coming weekend in Quitman, Texas, about a 4-hour drive away.

“That Friday, we loaded and were on the road by late afternoon. Back then, as you traveled, your radio reception faded in and out. At sundown, a clear station (signals grew stronger at night) and a song came through the crappy dashboard speaker of Mr. Davis’s cargo van. I asked him if I could turn it up. A curt nod was my answer, and I did. The singer’s voice was rich and pure, the melody haunting… the guitar riffs distinctive, and just as the sound steadied, it wandered off in a static hiss. Damn… it was a cool song and one new to me. My thoughts shifted, and I went back to watching the side of the road fly by. Not much to see.

“It was hot; heat lightning crackled and forked in the sky ahead. I had my window rolled down, and the warm air flowing dried the sweat on my right arm and shoulder, but my back was sticking to the cracked vinyl seat, as was my ass in my Levi’s. The heat came off the floorboard and radiated through my black canvas Converse and down from the metal roof with its thin lining. Sweat ran down my chest, stinging where I had sprouted chest hair, and coursed along my neck, through the V of my back muscles, and right into the seat of my jeans. As uncomfortable as that sounds—and it was—I was used to the lack of air conditioning.

“The roadside and telephone poles raced by. In the distance were a low band of fading sun and a haze of clouds. A lightning strike lighted a patch of them, a purpling-blue as its bright lance stabbed down. At a rare bend in the road, I looked back. Off to the east, a sprinkling of stars showed through a tear in the blanket of clouds that revealed the night sky. A shooting star cut a path through the opening as the static from the radio cleared. A DJ’s voice, swelling loud and steady, came from the speaker: ‘Here’s something new for your Friday night… perfect for the start of your weekend, One of These Nights by the Eagles.’

“And there it was. The song I’d caught part of 15 or 20 minutes earlier. That iconic opening by lead guitarist Don Felder and then Don Henley on vocals. I drank in every chord, every beat, and word. Didn’t feel the heat or the sweat and wasn’t tired from the long day, which had started at 06:00 AM that morning, and having done all the loading and knowing when we arrived, I would do all the unloading. The air streaming from the window carried a first hint of the freshness of the evening. The sun was now down and just a narrow orange-yellow band on the distant horizon to my right. I hand-surfed to the beat of the song, idly enjoying how the current of air buffeted the palm of my hand. As the song ended, I leaned out the window and let the night air dry the sweat on my face and neck, though it would blow my long hair into wild disarray. I was happy to be—kind of—on my own and headed somewhere I’d never been before. I smiled and tested my memory of the song. The wind caught my singing and scattered along the highway. It became one of those nights and moments to remember all my life.”

I sat back as Alpha and Beta grinned at me. I asked them, “Do you know why I tell you these little stories and memories from when I was young?”

“Because you want us to know why you liked the music,” Beta replied.

“Nope. Because maybe when you hear the song again… maybe you’ll remember all the times we sat at the kitchen table and talked. And to know they—these times like now, just sitting and talking—mean an awful lot to your dad.” I stood, went over, and gave each a kiss on top of their head. “Now,” I smiled, “you girls finish getting ready for school.”


From the Author:

“The wonderful thing about writing down moments and memories is that the act of writing itself becomes an extraordinary moment. As I wrote, I could see–and still see–my twins sitting at the emerald green and white tile kitchen table we had back then with matching ‘don’t want to go to school’ expressions as I told them this story.” —Dennis Lowery

Need help with your story? Contact us.

ADDUCENT - Writing-Ghostwriting-Publishing 250113
What we’ve done and what we do for clients.

Storyboards | Story Pitch Decks

A storyboard is a graphic organizer that consists of illustrations or images displayed in sequence for pre-visualizing a story, motion picture, animation, motion graphic, or interactive media sequence.

Pitching a story, book, series, or movie idea and want to bring it to life or want to visualize key scenes in the story you plan to write?

We can help.

Contact Us for a Free No Obligation Consultation Call

Some lo-res/quick concept boards:

About THE LAST AUGUR | ARRIVAL

It wasn’t her mission, but it became her duty.

Iris Jondarc lost everything—her family, home, friends, and future. All that remains is the mission she was not selected for. But she’s the only one left; she sacrifices who she is to become the last Augur.

Then the mission fails… she fails.

Iris, a messenger intending to warn and save mankind, didn’t make it in time. Arriving in 1977, injured and found by a cruel, depraved man, she’s locked away in a secret room where she remains unconscious amid a swirl of vague, painful memories of a life she barely remembers. Awakened to blood and violence to find that instead of the decades of preparation she was to deliver humanity… it’s unaware it faces the same fate that befell her people.

Can she still fulfill her mission and save mankind? And, can she reclaim what she gave up so long ago?

The Last Augur – ARRIVAL is a gripping tale of survival and purpose, where one woman’s struggle to save a world that isn’t hers becomes a fight to rediscover her humanity.


From Advance Readers of the story (working title ALL I AM, delivered in serial installments), which has expanded into a longer version titled The Last Augur | ARRIVAL (for 2025):

“Well, I read it… and all I have to say is “DAMMIT!” too short… you had me all sucked in with it. 😀 Really it was like a movie in the pace it’s to be read at. A lot going on. Excellent short story Dennis Lowery. I really enjoyed it, and there is definitely room to make it into a longer story. Not to stroke your ego, but you do a wonderful job of immediately pulling someone into a story. I had been reading a long novel by Gore Vidal called Creation. It’s an excellent book, but it takes a bit to get into it… To compare the two (which really isn’t fair to either of you) it’s like taking a pleasant drive in a mild convertible (the Gore Vidal book I was reading), then suddenly, you round the corner and you’re in a 1000hp beast pushing the corners hanging on tight to the steering wheel. 😀 That was what it felt like when I mentally shifted gears and got pulled into your story. Well done, well done.” –Dan Syes, about All I AM [expanded into The Last Augur | ARRIVAL]

“Quite how you portray such things through mere words never fails to amaze me.” –Nyan N.

“Just finished reading it, and you certainly have to keep building on this story. The world wants more of this. I really liked it and it especially hit its stride once you toned down the Sci-Fi techno terms from the first chapter. The humanness in it, the small touches and grounded everyday people, their little things, doings, and feelings is what sold me. The swift action itself was made the stronger because of the moshy stuff, and vice versa, a very well-balanced story – a little Game of Thrones’esque in that regard. Well, different times and writing of course, but part-brutal action has its well-deserved place in a good character-driven fictional story and I think you did that balancing act very well here. So now you just have to write a full-fledged book, or why not an entire universe since I am sure there is room for many books hidden in this short story.” –Michael Koontz

“Another great story! Lowery is truly a Jack of all pens; is there any genre the man can’t write?” –E. W. Johnson

“Wow! That’s really impressive! Very nice (in a creepy kind of way).” –Damian Trasler

“Wow! Awesome, thank you.” –Conrad Ross

“Amazing.” –Atai Sumaya

“Interesting and suspenseful. I really enjoyed reading this episode. It kept my attention, I can’t wait for the next one!”– Cindy Chaney

PART 1 – “Ok. I’m hooked! Can’t wait for tomorrow’s installment but I guess I’ll have to. That sucks.” –P. Tane, about the serialization of All That I Am and they continued the next day with: PART 2- “Well, that was interesting. Still can’t wait to read more.” and the following day: PART 3 – “Ok. So what happened to the girl? The old lady apparently died in the rocking chair, but the girl was supposedly in some kind of a coma. You are killing me! Gahhhhhh!” And about PART 4 – “I’d rather wait for the installments. The story is proving interesting as I figured it might. I’m really enjoying your writing. I can’t wait for another exciting sci-fi [part].” PART 5 – “Oh, dude! You got me on the edge of my seat! What the hell! These are just small bit pieces you’re giving us. I need more! Pleeeeease!” –P. Tane

All I Am will leave you wanting more with its perfect balance of suspense and horror.” –J. Payamps